French Music and Jazz in Conversation

From Debussy to Brubeck

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book French Music and Jazz in Conversation by Deborah Mawer, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Deborah Mawer ISBN: 9781316189085
Publisher: Cambridge University Press Publication: December 4, 2014
Imprint: Cambridge University Press Language: English
Author: Deborah Mawer
ISBN: 9781316189085
Publisher: Cambridge University Press
Publication: December 4, 2014
Imprint: Cambridge University Press
Language: English

French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. However, despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. However, despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck.

More books from Cambridge University Press

Cover of the book A Quiet Revolution? by Deborah Mawer
Cover of the book A Student's Guide to Maxwell's Equations by Deborah Mawer
Cover of the book The Philosophy of Economics by Deborah Mawer
Cover of the book Soft Law and the Global Financial System by Deborah Mawer
Cover of the book The Sword and the Scales by Deborah Mawer
Cover of the book Cardiopulmonary Bypass by Deborah Mawer
Cover of the book The Manual of Musical Instrument Conservation by Deborah Mawer
Cover of the book Sequential Analysis and Observational Methods for the Behavioral Sciences by Deborah Mawer
Cover of the book 3D Computer Graphics by Deborah Mawer
Cover of the book The Black Sea and the Early Civilizations of Europe, the Near East and Asia by Deborah Mawer
Cover of the book War, Religion and Empire by Deborah Mawer
Cover of the book Practical Healthcare Epidemiology by Deborah Mawer
Cover of the book Human Rights as Social Construction by Deborah Mawer
Cover of the book The Three-Dimensional Navier–Stokes Equations by Deborah Mawer
Cover of the book Criminal Defense in China by Deborah Mawer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy