From France With Love

Gender and Identity in French Romantic Comedy

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Entertainment, Performing Arts
Cover of the book From France With Love by Mary Harrod, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Harrod ISBN: 9780857739902
Publisher: Bloomsbury Publishing Publication: May 21, 2015
Imprint: I.B. Tauris Language: English
Author: Mary Harrod
ISBN: 9780857739902
Publisher: Bloomsbury Publishing
Publication: May 21, 2015
Imprint: I.B. Tauris
Language: English

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amélie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com à l'Américaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amélie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com à l'Américaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

More books from Bloomsbury Publishing

Cover of the book The New Poetics of Climate Change by Mary Harrod
Cover of the book Genuine Fakes by Mary Harrod
Cover of the book The Brand Called You by Mary Harrod
Cover of the book Arab-Iranian Relations by Mary Harrod
Cover of the book Talleyrand in London by Mary Harrod
Cover of the book The US and Latin America by Mary Harrod
Cover of the book Soviet Hurricane Aces of World War 2 by Mary Harrod
Cover of the book Journey's End GCSE Student Guide by Mary Harrod
Cover of the book Forensic Linguistics by Mary Harrod
Cover of the book Effective Operations and Performance Management by Mary Harrod
Cover of the book Deeper than Oblivion by Mary Harrod
Cover of the book Popular Music and the Politics of Novelty by Mary Harrod
Cover of the book Democracy and Ontology by Mary Harrod
Cover of the book Louise Erdrich by Mary Harrod
Cover of the book Operation Barbarossa 1941 (3) by Mary Harrod
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy