Graphic adaptation of Paul Auster's 'City of Glass' - Visual language and symbolism

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Graphic adaptation of Paul Auster's 'City of Glass' - Visual language and symbolism by Alisa Westermann, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alisa Westermann ISBN: 9783640935307
Publisher: GRIN Publishing Publication: June 10, 2011
Imprint: GRIN Publishing Language: English
Author: Alisa Westermann
ISBN: 9783640935307
Publisher: GRIN Publishing
Publication: June 10, 2011
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Münster (Englisches Seminar), course: Graphic Novels, language: English, abstract: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. (Auster, 1985; 3) Paul Auster's anti-detective novel City of Glass is the story of a man, whose life accidentally angles off. More and more, he blunders into the complexity of a criminal case in search of the significant principle. Obsessively, he adapts his action to the stranger until he finally loses hisself. Although Auster's novel, which is based on the nature and the function of language, is rather non-visual, Paul Karasik and David Mazzucchelli succeeded in adopting it into a graphic novel that is more than just a translation from one genre into another. They managed to create a visual language full of metaphors, symbols and icons that add a new layer of meaning to the story. This is the reason why I decided to pick City of Glass: The graphic novel as the basis of my term paper. This thesis will argue that a graphic adaptation of a literary work can be more than just an illustrated copy of a superior novel and worth an analysis on its own. Furthermore, I will take a deeper look at the visual language, specifically, the visual metaphors and symbols, which build up the graphic novel and how these finding can be adapted into learning situations. First of all, I will give a summary of City of Glass: the novel followed by a definition of the anti-detective genre with the intention to point out, that the visual language of City of Glass: the graphic novel reflects this genre. Afterwards, a survey of the graphic novel as well as an analysis of its structure and composition and its visual language and symbolism is given. A brief outline of how these findings can be useful in teaching and learning situations will precede the conclusion.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Münster (Englisches Seminar), course: Graphic Novels, language: English, abstract: It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not. (Auster, 1985; 3) Paul Auster's anti-detective novel City of Glass is the story of a man, whose life accidentally angles off. More and more, he blunders into the complexity of a criminal case in search of the significant principle. Obsessively, he adapts his action to the stranger until he finally loses hisself. Although Auster's novel, which is based on the nature and the function of language, is rather non-visual, Paul Karasik and David Mazzucchelli succeeded in adopting it into a graphic novel that is more than just a translation from one genre into another. They managed to create a visual language full of metaphors, symbols and icons that add a new layer of meaning to the story. This is the reason why I decided to pick City of Glass: The graphic novel as the basis of my term paper. This thesis will argue that a graphic adaptation of a literary work can be more than just an illustrated copy of a superior novel and worth an analysis on its own. Furthermore, I will take a deeper look at the visual language, specifically, the visual metaphors and symbols, which build up the graphic novel and how these finding can be adapted into learning situations. First of all, I will give a summary of City of Glass: the novel followed by a definition of the anti-detective genre with the intention to point out, that the visual language of City of Glass: the graphic novel reflects this genre. Afterwards, a survey of the graphic novel as well as an analysis of its structure and composition and its visual language and symbolism is given. A brief outline of how these findings can be useful in teaching and learning situations will precede the conclusion.

More books from GRIN Publishing

Cover of the book 'Deep and Pure for a Symbol' by Alisa Westermann
Cover of the book The Evolution of Innovation - TRIZ Trends and Bionics by Alisa Westermann
Cover of the book Strategic Network Management on the example of the company Unaxis Data Storage by Alisa Westermann
Cover of the book Transcendentalism by Ralph W. Emerson by Alisa Westermann
Cover of the book The portrayal of African-American religion and the black church in James Baldwin's 'Go Tell It On The Mountain ' by Alisa Westermann
Cover of the book The New EU Competence for Foreign Direct Investment. Legal Questions of its Implementation by Alisa Westermann
Cover of the book Ulysses from Notes and Drafts to Editions and Revisions by Alisa Westermann
Cover of the book HIV and AIDS in the workplace by Alisa Westermann
Cover of the book Of desire and passion - A comparison between Beyond the Horizon and Desire under the Elms by Alisa Westermann
Cover of the book The basics of teamwork [Hausarbeit plus Präsentation] by Alisa Westermann
Cover of the book Crime in Business. Grey market products and EU-legislation by Alisa Westermann
Cover of the book Atomization overcome? The case of the European blogosphere in Fostering more European Democracy by Alisa Westermann
Cover of the book Critical examination of the characteristics, tactics, opponents and policy impact of a national interest group operating in the USA today by Alisa Westermann
Cover of the book Der Freundschaftsbegriff in Aristoteles`Nikomachischer Ethik by Alisa Westermann
Cover of the book A University Education Changes Lives by Alisa Westermann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy