Hearing the Crimean War

Wartime Sound and the Unmaking of Sense

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, History & Criticism, Reference
Cover of the book Hearing the Crimean War by , Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780190916770
Publisher: Oxford University Press Publication: December 6, 2018
Imprint: Oxford University Press Language: English
Author:
ISBN: 9780190916770
Publisher: Oxford University Press
Publication: December 6, 2018
Imprint: Oxford University Press
Language: English

What does sound, whether preserved or lost, tell us about nineteenth-century wartime? Hearing the Crimean War: Wartime Sound and the Unmaking of Sense pursues this question through the many territories affected by the Crimean War, including Britain, France, Turkey, Russia, Italy, Poland, Latvia, Dagestan, Chechnya, and Crimea. Examining the experience of listeners and the politics of archiving sound, it reveals the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible--or failed to do so. The volume explores the dynamics of sound both in violent encounters on the battlefield and in the experience of listeners far-removed from theaters of war, each essay interrogating the Crimean War's sonic archive in order to address a broad set of issues in musicology, ethnomusicology, literary studies, the history of the senses and sound studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What does sound, whether preserved or lost, tell us about nineteenth-century wartime? Hearing the Crimean War: Wartime Sound and the Unmaking of Sense pursues this question through the many territories affected by the Crimean War, including Britain, France, Turkey, Russia, Italy, Poland, Latvia, Dagestan, Chechnya, and Crimea. Examining the experience of listeners and the politics of archiving sound, it reveals the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible--or failed to do so. The volume explores the dynamics of sound both in violent encounters on the battlefield and in the experience of listeners far-removed from theaters of war, each essay interrogating the Crimean War's sonic archive in order to address a broad set of issues in musicology, ethnomusicology, literary studies, the history of the senses and sound studies.

More books from Oxford University Press

Cover of the book Narrating a Psychology of Resistance by
Cover of the book Encounter on the Great Plains by
Cover of the book Stalinist Perpetrators on Trial by
Cover of the book Theology: Oxford Bibliographies Online Research Guide by
Cover of the book Sally's Phone Starter Level Oxford Bookworms Library by
Cover of the book The US Special Forces by
Cover of the book John Woolman and the Government of Christ by
Cover of the book The Life and Afterlife of St. Elizabeth of Hungary by
Cover of the book Lust by
Cover of the book Rethinking Political Islam by
Cover of the book Bounded Rationality and Industrial Organization by
Cover of the book Exploring Psychology in Language Learning and Teaching by
Cover of the book Affective Publics by
Cover of the book What is a Superhero? by
Cover of the book The Palace of Minos at Knossos by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy