Hemingway and Stein. Gertrude Stein's Influence on Ernest Hemingway's For Whom the Bell Tolls

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Hemingway and Stein. Gertrude Stein's Influence on Ernest Hemingway's For Whom the Bell Tolls by Kirsten Nath, Kathrin Matthes, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kirsten Nath, Kathrin Matthes ISBN: 9783638516686
Publisher: GRIN Publishing Publication: July 3, 2006
Imprint: GRIN Publishing Language: English
Author: Kirsten Nath, Kathrin Matthes
ISBN: 9783638516686
Publisher: GRIN Publishing
Publication: July 3, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,7, University of Hamburg (Institut für Anglistik und Amerikanistik), course: Proseminar: Hemingway: The Spanish Period, 25 entries in the bibliography, language: English, abstract: 'I wrote some pretty good poems lately in Rhyme. We love Gertrude Stein', wrote Ernest Hemingway in a letter to Sherwood Anderson in 1922. Hemingway had only recently met Stein in Paris following a letter of recommendation Stein had received from Anderson. Gertrude Stein was an American expatriate who had been living in Paris for eighteen years. She was well-known among contemporary artists such as Picasso, Matisse, Cézanne, Henry James, Ezra Pound, and F. Scott Fitzgerald. Her salon in 27, Rue de Fleurus was a private gallery of modern art and, consequently, a well-liked meeting-point for discussions on modernism. Stein herself had decided to experiment with the English language instead of writing common fiction. She practiced a kind of 'cubist writing' which was based on rhythm, rhyme and repetition rather than on a sensemaking plot. Nevertheless, she gave helpful advice to other writers when needed and was mentor for some of them. Hemingway, being one of those who often frequented her salon, began to admire Stein and her work; he soon realized that he could learn much from her. He was impressed by her 'continuous present tense and her steady repetition of key phrases that created meanings larger than the words themselves' and considered it useful to acquire those techniques. Hemingway asked for and gladly accepted Stein's advice for a few years but their relationship slowly crumbled because both of them felt insulted by the other. In the later years, Hemingway began to even deny the influence Stein had on him. This paper will deal with Gertrude Stein's influence on Hemingway, focusing on his style and the Spanish woman Pilar in For Whom the Bell Tolls(FWBT), published in 1940. While Stein's general influence on Hemingway has been discussed and proven many times and her specific influence on this novel has only been seen in the figure of Pilar or in parts of Hemingway's style, Stein's overall influence on FWBT has not yet been primary subject of research. However, Robert Jordan's utterance 'A rose is a rose is an onion' struck us as being very straight forward and thus led us to further investigation on the significance of Gertrude Stein in FWBT.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 2,7, University of Hamburg (Institut für Anglistik und Amerikanistik), course: Proseminar: Hemingway: The Spanish Period, 25 entries in the bibliography, language: English, abstract: 'I wrote some pretty good poems lately in Rhyme. We love Gertrude Stein', wrote Ernest Hemingway in a letter to Sherwood Anderson in 1922. Hemingway had only recently met Stein in Paris following a letter of recommendation Stein had received from Anderson. Gertrude Stein was an American expatriate who had been living in Paris for eighteen years. She was well-known among contemporary artists such as Picasso, Matisse, Cézanne, Henry James, Ezra Pound, and F. Scott Fitzgerald. Her salon in 27, Rue de Fleurus was a private gallery of modern art and, consequently, a well-liked meeting-point for discussions on modernism. Stein herself had decided to experiment with the English language instead of writing common fiction. She practiced a kind of 'cubist writing' which was based on rhythm, rhyme and repetition rather than on a sensemaking plot. Nevertheless, she gave helpful advice to other writers when needed and was mentor for some of them. Hemingway, being one of those who often frequented her salon, began to admire Stein and her work; he soon realized that he could learn much from her. He was impressed by her 'continuous present tense and her steady repetition of key phrases that created meanings larger than the words themselves' and considered it useful to acquire those techniques. Hemingway asked for and gladly accepted Stein's advice for a few years but their relationship slowly crumbled because both of them felt insulted by the other. In the later years, Hemingway began to even deny the influence Stein had on him. This paper will deal with Gertrude Stein's influence on Hemingway, focusing on his style and the Spanish woman Pilar in For Whom the Bell Tolls(FWBT), published in 1940. While Stein's general influence on Hemingway has been discussed and proven many times and her specific influence on this novel has only been seen in the figure of Pilar or in parts of Hemingway's style, Stein's overall influence on FWBT has not yet been primary subject of research. However, Robert Jordan's utterance 'A rose is a rose is an onion' struck us as being very straight forward and thus led us to further investigation on the significance of Gertrude Stein in FWBT.

More books from GRIN Publishing

Cover of the book Mind of an entrepreneur by Kirsten Nath, Kathrin Matthes
Cover of the book The 'English Patient': BMW withdraws from Rover Longbridge by Kirsten Nath, Kathrin Matthes
Cover of the book Ein Fußballthriller nicht nur für Jungs: 'Ausgewechselt' von Ulli Schuberth by Kirsten Nath, Kathrin Matthes
Cover of the book Gute Aufgaben im Mathematikunterricht der Grundschule by Kirsten Nath, Kathrin Matthes
Cover of the book The Educating Function of Zitkala-Sa's Sioux Stories by Kirsten Nath, Kathrin Matthes
Cover of the book COIN Vignettes - Somalia: Understanding your Environment by Kirsten Nath, Kathrin Matthes
Cover of the book The Correlation Between Carotid Stenosis and Perioperative Stroke During Heart Surgery: Is There Real Evidence? by Kirsten Nath, Kathrin Matthes
Cover of the book Civil society and the European Union: The mutual influence between EU institutions and czech non-Government organisations before and after EU-accession by Kirsten Nath, Kathrin Matthes
Cover of the book The meaning of South African rock paintings by Kirsten Nath, Kathrin Matthes
Cover of the book Mindfulness and Rumination. How meditation may reduce depressive symptoms by Kirsten Nath, Kathrin Matthes
Cover of the book Die Organisationsverfassung der Societas Privata Europaea (SPE) im Vergleich zur GmbH by Kirsten Nath, Kathrin Matthes
Cover of the book The Process of Human Resource Planning by Kirsten Nath, Kathrin Matthes
Cover of the book Marketing Information System by Kirsten Nath, Kathrin Matthes
Cover of the book Political Determinants of Evolution and Reform of the German Public Pension Plan by Kirsten Nath, Kathrin Matthes
Cover of the book Increasing Returns and Transport costs - The fundamental Trade-off of a spatial economy by Kirsten Nath, Kathrin Matthes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy