How Heaven and Hell are construed in Vincent Ward's What Dreams May Come

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book How Heaven and Hell are construed in Vincent Ward's What Dreams May Come by Antje Schoene, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Antje Schoene ISBN: 9783640602995
Publisher: GRIN Publishing Publication: April 23, 2010
Imprint: GRIN Publishing Language: English
Author: Antje Schoene
ISBN: 9783640602995
Publisher: GRIN Publishing
Publication: April 23, 2010
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Other, grade: 1,3, Dresden Technical University (Institut für Anglistik/ Amerikanistik), course: Science Fiction Films, language: English, abstract: 'When I was young, I met this beautiful girl by a lake.' The following paper focuses on how the afterlife is allegorized in Vincent Ward's film. Ward combines motifs from various religions. Ancient, Western and Eastern versions of afterlife merge to an individualistic Great Beyond. The leading literary influence seems to come from Dante's The Divine Comedy, especially considering the movie's depiction of Hell. Also several parallels to art work stand out. Of course, as no sources can prove it, it is just speculation if, especially the referred literature and paintings were an inspiration for the film. However, some parallels cannot be dismissed out of hand. For a clearer arrangement, I assembled the research paper in a Heaven (Chapter 2.1.) and a Hell (Chapter 2.2.) section and will then summarize my observations as well as explicate how this all fits into the science fiction genre (Chapter 3). Unfortunately, apart from various reviews on the internet, no other secondary text on What Dreams May Come can be found in literature. On that account, my paper mainly bases on the film itself and several reference books on theology, philosophy and mythology. Namely, The Oxford Companion to Philosophy and Boxton's The Complete World of Greek Mythology as reference books as well as work on afterlife: Coward's Das Leben nach dem Tod in den Weltreligionen and Braun's Das Jenseits - Die Vorstellungen der Menschheit über das Leben nach dem Tod.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Other, grade: 1,3, Dresden Technical University (Institut für Anglistik/ Amerikanistik), course: Science Fiction Films, language: English, abstract: 'When I was young, I met this beautiful girl by a lake.' The following paper focuses on how the afterlife is allegorized in Vincent Ward's film. Ward combines motifs from various religions. Ancient, Western and Eastern versions of afterlife merge to an individualistic Great Beyond. The leading literary influence seems to come from Dante's The Divine Comedy, especially considering the movie's depiction of Hell. Also several parallels to art work stand out. Of course, as no sources can prove it, it is just speculation if, especially the referred literature and paintings were an inspiration for the film. However, some parallels cannot be dismissed out of hand. For a clearer arrangement, I assembled the research paper in a Heaven (Chapter 2.1.) and a Hell (Chapter 2.2.) section and will then summarize my observations as well as explicate how this all fits into the science fiction genre (Chapter 3). Unfortunately, apart from various reviews on the internet, no other secondary text on What Dreams May Come can be found in literature. On that account, my paper mainly bases on the film itself and several reference books on theology, philosophy and mythology. Namely, The Oxford Companion to Philosophy and Boxton's The Complete World of Greek Mythology as reference books as well as work on afterlife: Coward's Das Leben nach dem Tod in den Weltreligionen and Braun's Das Jenseits - Die Vorstellungen der Menschheit über das Leben nach dem Tod.

More books from GRIN Publishing

Cover of the book Service Marketing Innovations - some general concepts by Antje Schoene
Cover of the book Social stratification in Japan and the United States by Antje Schoene
Cover of the book Aborigines In Australia by Antje Schoene
Cover of the book La Corrida de Toros: Patrimonio Cultural de la Humanidad - ¿sí o no? by Antje Schoene
Cover of the book Recurring Images of Women in Oscar Wilde's Comedies by Antje Schoene
Cover of the book Developing Emotional Appeals in Internet Advertising by Antje Schoene
Cover of the book The promotion of small and medium-sized enterprises in the EU by Antje Schoene
Cover of the book Quantum Cultural Intelligence and Managerial Problem Solving by Antje Schoene
Cover of the book Reflective Writing by Antje Schoene
Cover of the book Languages, thoughts and realities? by Antje Schoene
Cover of the book The Iraq War as a Failure to Bargain by Antje Schoene
Cover of the book Review of the movie 'Lantana' by Antje Schoene
Cover of the book Feminist Writings in the Perspective of Feminist Criticism: A Comparison of Fay Weldon's Weekend and Doris Lessing's To Room 19 by Antje Schoene
Cover of the book 650 Jahre Goldene Bulle Karls IV. von 1356 by Antje Schoene
Cover of the book Bill Gates - Change Agent of Information Technology by Antje Schoene
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy