Intermediality in 'The Ground Beneath Her Feet'

The function of music in Rushdie's novel

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Intermediality in 'The Ground Beneath Her Feet' by Thomas Schachtebeck, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Thomas Schachtebeck ISBN: 9783640804108
Publisher: GRIN Publishing Publication: January 19, 2011
Imprint: GRIN Publishing Language: English
Author: Thomas Schachtebeck
ISBN: 9783640804108
Publisher: GRIN Publishing
Publication: January 19, 2011
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2007 in the subject English - Literature, Works, grade: 1,7, Free University of Berlin (Fachbereich Englisch), course: Literary Concepts II: Intermediality , language: English, abstract: [...] In his seventh novel The Ground Beneath Her Feet (hereafter GF), Rushdie tells the love story of the 20th century pop icons Vina Aspara and Ormus Cama. However, GF is not exclusively about love since the novel also combines a lot of historical and mythological aspects with the mainstream pop culture of the 20th century. In fact, the field of pop music seems to be central next to the novel's love theme because throughout the whole book, extracts of original and remodelled song lyrics are incorporated into the texture of GF, and these song lyrics are - amongst many other things - used to reflect the love between the novel's protagonists. Furthermore, the subject of music is also realised by the adoption of another strategy. Although the novel is said to be fictional, GF 'tries to blur the edges between the fictional world and the real world' [Rushdie, interview with Vijaya Nagarajan 1999]. Therefore, Rushdie applied the technique of the alienation effect, which aims to make the familiar seem strange. This technique was predominantly realised by embedding mythological aspects in the story of GF and changing historical events which actually happened. Consequently, Rushdie created a 'parallel version of the world', which is slightly different from reality. The most influential aspect which makes the familiar life of the novel's pop stars seem strange is its comparison with the Orpheus myth. Moreover, the Orpheus myth dignifies music as it basically declares that 'one can kill the singer, but not the song.' Since the subject of music seems to be of crucial importance in GF, and Salman Rushdie regards pop music as the 'first cultural phenomenon of extraordinary force' [Rushdie, interview with Vijaya Nagarajan 1999], this paper aims to explore which different functions music fulfils in Rushdie's novel. Therefore, this paper will first give a brief and general overview about the theoretical background of intermediality and the interrelation between literature and music. Afterwards, it will try to uncover in which ways music is related to GF by pointing out the different purposes music fulfils in terms of the novel's mythological aspect, the topic of globalisation and the love theme. Finally, this paper will work out in how far GF draws parallels to the life and music of famous pop icons like Elvis Presley and Bob Dylan, but the paper's main interest is clearly dedicated to Ormus Cama's resemblances to Bob Dylan.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2007 in the subject English - Literature, Works, grade: 1,7, Free University of Berlin (Fachbereich Englisch), course: Literary Concepts II: Intermediality , language: English, abstract: [...] In his seventh novel The Ground Beneath Her Feet (hereafter GF), Rushdie tells the love story of the 20th century pop icons Vina Aspara and Ormus Cama. However, GF is not exclusively about love since the novel also combines a lot of historical and mythological aspects with the mainstream pop culture of the 20th century. In fact, the field of pop music seems to be central next to the novel's love theme because throughout the whole book, extracts of original and remodelled song lyrics are incorporated into the texture of GF, and these song lyrics are - amongst many other things - used to reflect the love between the novel's protagonists. Furthermore, the subject of music is also realised by the adoption of another strategy. Although the novel is said to be fictional, GF 'tries to blur the edges between the fictional world and the real world' [Rushdie, interview with Vijaya Nagarajan 1999]. Therefore, Rushdie applied the technique of the alienation effect, which aims to make the familiar seem strange. This technique was predominantly realised by embedding mythological aspects in the story of GF and changing historical events which actually happened. Consequently, Rushdie created a 'parallel version of the world', which is slightly different from reality. The most influential aspect which makes the familiar life of the novel's pop stars seem strange is its comparison with the Orpheus myth. Moreover, the Orpheus myth dignifies music as it basically declares that 'one can kill the singer, but not the song.' Since the subject of music seems to be of crucial importance in GF, and Salman Rushdie regards pop music as the 'first cultural phenomenon of extraordinary force' [Rushdie, interview with Vijaya Nagarajan 1999], this paper aims to explore which different functions music fulfils in Rushdie's novel. Therefore, this paper will first give a brief and general overview about the theoretical background of intermediality and the interrelation between literature and music. Afterwards, it will try to uncover in which ways music is related to GF by pointing out the different purposes music fulfils in terms of the novel's mythological aspect, the topic of globalisation and the love theme. Finally, this paper will work out in how far GF draws parallels to the life and music of famous pop icons like Elvis Presley and Bob Dylan, but the paper's main interest is clearly dedicated to Ormus Cama's resemblances to Bob Dylan.

More books from GRIN Publishing

Cover of the book Religion in Public Schools by Thomas Schachtebeck
Cover of the book Dissertation Proposal: Development of a recommendation on the implementation of IT service management on the basis of ITIL in SMEs by Thomas Schachtebeck
Cover of the book Dandies and their misogynistic attitudes in Oscar Wilde's The Picture of Dorian Gray by Thomas Schachtebeck
Cover of the book Witnessing history - Jewish immigrant women's autobiography by Thomas Schachtebeck
Cover of the book Air Transport in the UK: Current Trends and Future Scenarios by Thomas Schachtebeck
Cover of the book Call centre offshoring to India by Thomas Schachtebeck
Cover of the book From Martha to Laura: The role of the first lady in US politics by Thomas Schachtebeck
Cover of the book Ethical Standards for Arbitrators and Mediators by Thomas Schachtebeck
Cover of the book WWII Liberation. An Analysis of Allied and Soviet Methods by Thomas Schachtebeck
Cover of the book Account for differences in the development of physical education in Britain and Germany in the nineteenth century by Thomas Schachtebeck
Cover of the book Der Erste Weltkrieg: Die Dynamik der Kriegslehre by Thomas Schachtebeck
Cover of the book The Credit on Real Estate - Local Value and Relevance for the Construction Financing in Germany and Denmark by Thomas Schachtebeck
Cover of the book Demography. A Short Introduction by Thomas Schachtebeck
Cover of the book Critique for the Open Source Development Model by Thomas Schachtebeck
Cover of the book Cross-linguistic Influences in Bilingual First Language Acquisition by Thomas Schachtebeck
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy