John Dahl and Neo-Noir

Examining Auteurism and Genre

Biography & Memoir, Entertainment & Performing Arts, Nonfiction, Entertainment, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book John Dahl and Neo-Noir by Paul Monaco, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Paul Monaco ISBN: 9780739133330
Publisher: Lexington Books Publication: March 18, 2010
Imprint: Lexington Books Language: English
Author: Paul Monaco
ISBN: 9780739133330
Publisher: Lexington Books
Publication: March 18, 2010
Imprint: Lexington Books
Language: English

In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). Subsequent to their releases, these three films became identified in academic film criticism as neo-noir, and Dahl was labeled a 'noir-meister' who made 'a cottage industry of neo-noir.' The importance of these three films, and Monaco's investigation of them, is how they illuminate a modern director's creative process in relation to an emerging genre. Dahl is rightly recognized for his directorial vision and his creative style. His approach to film direction, and his distinctiveness of vision, is thoroughly explored in the book. Using interviews with the professionals with whom Dahl has worked closely, Monaco also explores basic notions about auteurism and how genre is defined. Considering Dahl's extensive directing for television alongside his first three films, John Dahl and Neo-Noir ultimately demonstrates how this groundbreaking director is a prime example of a modern 'director for hire.'

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). Subsequent to their releases, these three films became identified in academic film criticism as neo-noir, and Dahl was labeled a 'noir-meister' who made 'a cottage industry of neo-noir.' The importance of these three films, and Monaco's investigation of them, is how they illuminate a modern director's creative process in relation to an emerging genre. Dahl is rightly recognized for his directorial vision and his creative style. His approach to film direction, and his distinctiveness of vision, is thoroughly explored in the book. Using interviews with the professionals with whom Dahl has worked closely, Monaco also explores basic notions about auteurism and how genre is defined. Considering Dahl's extensive directing for television alongside his first three films, John Dahl and Neo-Noir ultimately demonstrates how this groundbreaking director is a prime example of a modern 'director for hire.'

More books from Lexington Books

Cover of the book Restoring America's Fiscal Constitution by Paul Monaco
Cover of the book Disentangling Consciencism by Paul Monaco
Cover of the book How Families Matter by Paul Monaco
Cover of the book Communication Centers by Paul Monaco
Cover of the book The Christian Path in a Pluralistic World and the Study of Spirituality by Paul Monaco
Cover of the book Online Philanthropy in the Global North and South by Paul Monaco
Cover of the book Paths of Innovation in Warfare by Paul Monaco
Cover of the book Labor and Global Justice by Paul Monaco
Cover of the book Harmonious World and China's New Foreign Policy by Paul Monaco
Cover of the book The Paradoxes of History and Memory in Post-Colonial Sierra Leone by Paul Monaco
Cover of the book Conflict Resolution by Paul Monaco
Cover of the book Creating the Arabian Gulf by Paul Monaco
Cover of the book Violence in the Americas by Paul Monaco
Cover of the book The Hollywood Connection by Paul Monaco
Cover of the book The State of State Theory by Paul Monaco
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy