John Dos Passos´s 'The Big Money': Critical Perceptions of the United States during the 1920s

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book John Dos Passos´s 'The Big Money': Critical Perceptions of the United States during the 1920s by Julia Schubert, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julia Schubert ISBN: 9783638513739
Publisher: GRIN Publishing Publication: June 27, 2006
Imprint: GRIN Publishing Language: English
Author: Julia Schubert
ISBN: 9783638513739
Publisher: GRIN Publishing
Publication: June 27, 2006
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,7, Martin Luther University (Institut für Anglistik und Amerikanistik), course: Modernism and Its Others: U.S.-American Literature and Culture in the 1920s, 18 entries in the bibliography, language: English, abstract: When the French philosopher, critic and writer Jean-Paul Sartre concluded an essay on the American novelist John Dos Passos in 1938 with the words 'I regard Dos Passos as the greatest writer of our time' it was quite clear that the author of the trilogy U.S.A. had joined the class of the most important and influential writers in American literature. The three novels of the trilogy are critical documents and portraits of the history and life of the American nation during the first three decades of the 20 th century. U.S.A. is a social and political work that is shaped by the stylistic experimentation of the author who treats art in the service of history 1 and therefore leaves him in a literary outstanding position. This term paper aims to explain and justify this position of Dos Passos by examining and analyzing The Big Money which was the final novel of U.S.A. First of all, this work will give an overview and assessment of the trilogy as a whole to facilitate an analytical insight into its meaning and purpose. Secondly, the four different styles of narration will be discussed. The third part of the paper will deal with The Big Money: What is the historical context of the novel? Who are the main characters? Finally, the themes of the novel will be shortly summarized in the fourth part of this paper. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,7, Martin Luther University (Institut für Anglistik und Amerikanistik), course: Modernism and Its Others: U.S.-American Literature and Culture in the 1920s, 18 entries in the bibliography, language: English, abstract: When the French philosopher, critic and writer Jean-Paul Sartre concluded an essay on the American novelist John Dos Passos in 1938 with the words 'I regard Dos Passos as the greatest writer of our time' it was quite clear that the author of the trilogy U.S.A. had joined the class of the most important and influential writers in American literature. The three novels of the trilogy are critical documents and portraits of the history and life of the American nation during the first three decades of the 20 th century. U.S.A. is a social and political work that is shaped by the stylistic experimentation of the author who treats art in the service of history 1 and therefore leaves him in a literary outstanding position. This term paper aims to explain and justify this position of Dos Passos by examining and analyzing The Big Money which was the final novel of U.S.A. First of all, this work will give an overview and assessment of the trilogy as a whole to facilitate an analytical insight into its meaning and purpose. Secondly, the four different styles of narration will be discussed. The third part of the paper will deal with The Big Money: What is the historical context of the novel? Who are the main characters? Finally, the themes of the novel will be shortly summarized in the fourth part of this paper. [...]

More books from GRIN Publishing

Cover of the book The Early Modern English Period by Julia Schubert
Cover of the book Social influences in brainstorming groups by Julia Schubert
Cover of the book Hard to See, the Dark Side Is by Julia Schubert
Cover of the book Quantifying Variation of the Expanded Form in English by Julia Schubert
Cover of the book Ethnicity, Economy and Historical Deconstruction in the Bakassi Borderland by Julia Schubert
Cover of the book From Stage to Screen - The influence of censorship on Elia Kazan´s A Streetcar Named Desire by Julia Schubert
Cover of the book Eine ungewöhnliche Beziehung by Julia Schubert
Cover of the book Wissensproduktion in der Wikipedia by Julia Schubert
Cover of the book Budgeting systems as management tool for European small and medium sized businesses by Julia Schubert
Cover of the book Miscarriages in the British legal system. 'The Guildford Four' and 'The Birmingham Six' by Julia Schubert
Cover of the book Improvement of Customer Satisfaction in Mortgage Banking by Julia Schubert
Cover of the book Zadie Smith: 'White Teeth' - The Families by Julia Schubert
Cover of the book South Africa. Problems of identification and the role of the English language by Julia Schubert
Cover of the book Königserhebungen im 10., 11. und 12. Jahrhundert by Julia Schubert
Cover of the book US-American folk music and its political stances from the great depression to the present by Julia Schubert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy