Limited Shakespeare

The Reason of Finitude

Fiction & Literature, Literary Theory & Criticism
Cover of the book Limited Shakespeare by Julián Jiménez Heffernan, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julián Jiménez Heffernan ISBN: 9780429675942
Publisher: Taylor and Francis Publication: May 1, 2019
Imprint: Routledge Language: English
Author: Julián Jiménez Heffernan
ISBN: 9780429675942
Publisher: Taylor and Francis
Publication: May 1, 2019
Imprint: Routledge
Language: English

Shakespeare’s poetic-dramatic worlds are inescapably limited. There is always, in his poems and plays, a force (a contingent drive, a pre-textual undertow, a rational-critical momentum, an ironic stance, the deflections of error) coercing plot and meaning to their end. By examining the work of limits in the sonnets and in five of his plays, this book seeks not only to highlight the poet’s steadfast commitment to critical rationality. It also aims to plead a case of hermeneutic continence. Present-day appraisals of Shakespeare’s world-making and meaning-projecting potential are often overruled by a neo-romantic and phenomenological celebration of plenty. This pre-critical tendency unwittingly obtains epistemic legitimation from philosophical quarters inspired by Alain Badiou’s derisive rejection of "the pathos of finitude". But finitude is much more than a modish, neo-existentialist, watchword. It is what is left of ontology when reason is done. And cool reason was already at work before Kant.  In accounting for the way in which Shakespeare places limits to life (Romeo and Juliet), to experience (The Tempest), to love (the Sonnets), to time (Macbeth), to the world (Hamlet) and to knowledge (Othello), Limited Shakespeare: The Reason of Finitude aims to underscore the deeply mediated dimension of Shakespearean experience, always over-determined by the twin forces of contingency and textual determinism, and his meta-rational and virtually ironic taste for irrational, accidental, and error-driven limits (bonds, bounds, deaths).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Shakespeare’s poetic-dramatic worlds are inescapably limited. There is always, in his poems and plays, a force (a contingent drive, a pre-textual undertow, a rational-critical momentum, an ironic stance, the deflections of error) coercing plot and meaning to their end. By examining the work of limits in the sonnets and in five of his plays, this book seeks not only to highlight the poet’s steadfast commitment to critical rationality. It also aims to plead a case of hermeneutic continence. Present-day appraisals of Shakespeare’s world-making and meaning-projecting potential are often overruled by a neo-romantic and phenomenological celebration of plenty. This pre-critical tendency unwittingly obtains epistemic legitimation from philosophical quarters inspired by Alain Badiou’s derisive rejection of "the pathos of finitude". But finitude is much more than a modish, neo-existentialist, watchword. It is what is left of ontology when reason is done. And cool reason was already at work before Kant.  In accounting for the way in which Shakespeare places limits to life (Romeo and Juliet), to experience (The Tempest), to love (the Sonnets), to time (Macbeth), to the world (Hamlet) and to knowledge (Othello), Limited Shakespeare: The Reason of Finitude aims to underscore the deeply mediated dimension of Shakespearean experience, always over-determined by the twin forces of contingency and textual determinism, and his meta-rational and virtually ironic taste for irrational, accidental, and error-driven limits (bonds, bounds, deaths).

More books from Taylor and Francis

Cover of the book Improving Global Health by Julián Jiménez Heffernan
Cover of the book Sexual Diversity and Sexual Offending by Julián Jiménez Heffernan
Cover of the book Contemporary Spanish Foreign Policy by Julián Jiménez Heffernan
Cover of the book Film and Television Acting by Julián Jiménez Heffernan
Cover of the book Ragged Trousered NGOs by Julián Jiménez Heffernan
Cover of the book The Shtetl by Julián Jiménez Heffernan
Cover of the book Freedom, Equality and the Market by Julián Jiménez Heffernan
Cover of the book Tourism and the Creative Industries by Julián Jiménez Heffernan
Cover of the book Music in Epic Film by Julián Jiménez Heffernan
Cover of the book Multicultural Education of Children and Adolescents by Julián Jiménez Heffernan
Cover of the book Literary Influence and African-American Writers by Julián Jiménez Heffernan
Cover of the book Advancing Music Education in Northern Europe by Julián Jiménez Heffernan
Cover of the book Growing Up Before Stonewall by Julián Jiménez Heffernan
Cover of the book Baudrillard (RLE Social Theory) by Julián Jiménez Heffernan
Cover of the book The Architecture of Edwin Maxwell Fry and Jane Drew by Julián Jiménez Heffernan
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy