Narrative and Identity in the Ancient Greek Novel

Returning Romance

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Narrative and Identity in the Ancient Greek Novel by Tim Whitmarsh, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tim Whitmarsh ISBN: 9781139036436
Publisher: Cambridge University Press Publication: April 7, 2011
Imprint: Cambridge University Press Language: English
Author: Tim Whitmarsh
ISBN: 9781139036436
Publisher: Cambridge University Press
Publication: April 7, 2011
Imprint: Cambridge University Press
Language: English

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

More books from Cambridge University Press

Cover of the book Moral Dilemmas in Medieval Thought by Tim Whitmarsh
Cover of the book Campus Sexual Assault by Tim Whitmarsh
Cover of the book Female Islamic Education Movements by Tim Whitmarsh
Cover of the book Automorphic Forms and Galois Representations: Volume 1 by Tim Whitmarsh
Cover of the book Existence by Tim Whitmarsh
Cover of the book Numerical Solution of Partial Differential Equations by Tim Whitmarsh
Cover of the book The Language of Business Meetings by Tim Whitmarsh
Cover of the book Regular and Irregular Holonomic D-Modules by Tim Whitmarsh
Cover of the book Leibniz on Causation and Agency by Tim Whitmarsh
Cover of the book Explaining the Iraq War by Tim Whitmarsh
Cover of the book Stem Cells in Reproductive Medicine by Tim Whitmarsh
Cover of the book Emergency Department Leadership and Management by Tim Whitmarsh
Cover of the book Civil War in Europe, 1905–1949 by Tim Whitmarsh
Cover of the book Property and Practical Reason by Tim Whitmarsh
Cover of the book The Future of Multi-Pillar Pensions by Tim Whitmarsh
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy