Narrative and Identity in the Ancient Greek Novel

Returning Romance

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Narrative and Identity in the Ancient Greek Novel by Tim Whitmarsh, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tim Whitmarsh ISBN: 9781139036436
Publisher: Cambridge University Press Publication: April 7, 2011
Imprint: Cambridge University Press Language: English
Author: Tim Whitmarsh
ISBN: 9781139036436
Publisher: Cambridge University Press
Publication: April 7, 2011
Imprint: Cambridge University Press
Language: English

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

More books from Cambridge University Press

Cover of the book Unconscionability in European Private Financial Transactions by Tim Whitmarsh
Cover of the book WTO Dispute Settlement and the TRIPS Agreement by Tim Whitmarsh
Cover of the book Exhausting Intellectual Property Rights by Tim Whitmarsh
Cover of the book Alexis de Tocqueville, the First Social Scientist by Tim Whitmarsh
Cover of the book The Plasma Universe by Tim Whitmarsh
Cover of the book Indra's Pearls by Tim Whitmarsh
Cover of the book The Conscience Wars by Tim Whitmarsh
Cover of the book Antenatal Disorders for the MRCOG and Beyond by Tim Whitmarsh
Cover of the book The Human Face of the European Union by Tim Whitmarsh
Cover of the book The Cambridge Companion to the Orchestra by Tim Whitmarsh
Cover of the book Intellectual Capital by Tim Whitmarsh
Cover of the book The Cambridge Companion to American Gay and Lesbian Literature by Tim Whitmarsh
Cover of the book Arithmetic and Geometry by Tim Whitmarsh
Cover of the book On the Shoulders of Giants by Tim Whitmarsh
Cover of the book Empire, Emergency and International Law by Tim Whitmarsh
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy