Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples by Anthony R. DelDonna, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anthony R. DelDonna ISBN: 9781317085386
Publisher: Taylor and Francis Publication: May 13, 2016
Imprint: Routledge Language: English
Author: Anthony R. DelDonna
ISBN: 9781317085386
Publisher: Taylor and Francis
Publication: May 13, 2016
Imprint: Routledge
Language: English

The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.

More books from Taylor and Francis

Cover of the book Science, Ethics, and Politics by Anthony R. DelDonna
Cover of the book The Pragmatics of Style (RLE Linguistics B: Grammar) by Anthony R. DelDonna
Cover of the book The Making of Eurosceptic Britain by Anthony R. DelDonna
Cover of the book Media and the Rhetoric of Body Perfection by Anthony R. DelDonna
Cover of the book New Modern Chinese Women and Gender Politics by Anthony R. DelDonna
Cover of the book Norman Tradition and Transcultural Heritage by Anthony R. DelDonna
Cover of the book Routledge A Level Religious Studies by Anthony R. DelDonna
Cover of the book Governance of the European Monetary Union by Anthony R. DelDonna
Cover of the book Communication as Comfort by Anthony R. DelDonna
Cover of the book The Use of Punishment by Anthony R. DelDonna
Cover of the book The Means to Grow Up by Anthony R. DelDonna
Cover of the book Contemporary Perspectives On Masculinity by Anthony R. DelDonna
Cover of the book BCIM Economic Cooperation by Anthony R. DelDonna
Cover of the book Homoerotic Sensibilities in Late Imperial China by Anthony R. DelDonna
Cover of the book Basic Swedish by Anthony R. DelDonna
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy