Public Painting and Visual Culture in Early Republican Florence

Nonfiction, History, European General, Art & Architecture, General Art
Cover of the book Public Painting and Visual Culture in Early Republican Florence by George Bent, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: George Bent ISBN: 9781316771853
Publisher: Cambridge University Press Publication: January 16, 2017
Imprint: Cambridge University Press Language: English
Author: George Bent
ISBN: 9781316771853
Publisher: Cambridge University Press
Publication: January 16, 2017
Imprint: Cambridge University Press
Language: English

Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.

More books from Cambridge University Press

Cover of the book Pearls of Functional Algorithm Design by George Bent
Cover of the book Speech and Society in Turbulent Times by George Bent
Cover of the book Why Electoral Integrity Matters by George Bent
Cover of the book The Ape that Understood the Universe by George Bent
Cover of the book Scotland and the Fictions of Geography by George Bent
Cover of the book Asian Slaves in Colonial Mexico by George Bent
Cover of the book Why Trust a Theory? by George Bent
Cover of the book Unsteady Flow in Open Channels by George Bent
Cover of the book An Introduction to European Law by George Bent
Cover of the book African Freedom by George Bent
Cover of the book Face-to-Face Communication over the Internet by George Bent
Cover of the book Indigenous Peoples, Poverty, and Development by George Bent
Cover of the book Full-Duplex Communications and Networks by George Bent
Cover of the book The Cambridge Companion to Science Fiction by George Bent
Cover of the book Ecosystem Based Management for Marine Fisheries by George Bent
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy