Richard E. Norman and Race Filmmaking

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Biography & Memoir, Entertainment & Performing Arts
Cover of the book Richard E. Norman and Race Filmmaking by Barbara Tepa Lupack, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Barbara Tepa Lupack ISBN: 9780253010728
Publisher: Indiana University Press Publication: November 8, 2013
Imprint: Indiana University Press Language: English
Author: Barbara Tepa Lupack
ISBN: 9780253010728
Publisher: Indiana University Press
Publication: November 8, 2013
Imprint: Indiana University Press
Language: English

In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.

More books from Indiana University Press

Cover of the book Ecstasy, Ritual, and Alternate Reality by Barbara Tepa Lupack
Cover of the book In Pursuit of Early Mammals by Barbara Tepa Lupack
Cover of the book Ifá Divination, Knowledge, Power, and Performance by Barbara Tepa Lupack
Cover of the book Orientalizing the Jew by Barbara Tepa Lupack
Cover of the book Keeping Faith with the Party by Barbara Tepa Lupack
Cover of the book Music of Azerbaijan by Barbara Tepa Lupack
Cover of the book Congo Inc. by Barbara Tepa Lupack
Cover of the book Rolling Away the Stone by Barbara Tepa Lupack
Cover of the book Hölderlin's Hymns "Germania" and "The Rhine" by Barbara Tepa Lupack
Cover of the book Trickster Theatre by Barbara Tepa Lupack
Cover of the book The Most Fundamental Right by Barbara Tepa Lupack
Cover of the book The Female Face of Shame by Barbara Tepa Lupack
Cover of the book Shade of the Raintree, Centennial Edition by Barbara Tepa Lupack
Cover of the book Nelson Rolihlahla Mandela 1918-2013 by Barbara Tepa Lupack
Cover of the book Rachmaninoff's Complete Songs by Barbara Tepa Lupack
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy