Romanesque Patrons and Processes

Design and Instrumentality in the Art and Architecture of Romanesque Europe

Nonfiction, Social & Cultural Studies, Social Science, Archaeology
Cover of the book Romanesque Patrons and Processes by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781351105583
Publisher: Taylor and Francis Publication: March 9, 2018
Imprint: Routledge Language: English
Author:
ISBN: 9781351105583
Publisher: Taylor and Francis
Publication: March 9, 2018
Imprint: Routledge
Language: English

The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality.

No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality.

No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.

More books from Taylor and Francis

Cover of the book Self and Motivational Systems by
Cover of the book Grounding Religion by
Cover of the book Post-Kyoto Climate Governance by
Cover of the book Creating Campus Cultures by
Cover of the book Child-Centred Attachment Therapy by
Cover of the book Tourism Innovation by
Cover of the book Engines of the Imagination by
Cover of the book Environmental Policy by
Cover of the book Imagination in Human and Cultural Development by
Cover of the book Applied Linguistics in Language Education by
Cover of the book The New Judiciary by
Cover of the book A History of Police and Masculinities, 1700-2010 by
Cover of the book Teaching Young Second Language Learners by
Cover of the book Architecture and Nationalism in Sri Lanka by
Cover of the book City, Region and Regionalism by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy