Shakespeare's Companies

William Shakespeare's Early Career and the Acting Companies, 1577–1594

Fiction & Literature, Literary Theory & Criticism
Cover of the book Shakespeare's Companies by Terence G. Schoone-Jongen, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Terence G. Schoone-Jongen ISBN: 9781317056164
Publisher: Taylor and Francis Publication: April 1, 2016
Imprint: Routledge Language: English
Author: Terence G. Schoone-Jongen
ISBN: 9781317056164
Publisher: Taylor and Francis
Publication: April 1, 2016
Imprint: Routledge
Language: English

Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.

More books from Taylor and Francis

Cover of the book Social Marketing by Terence G. Schoone-Jongen
Cover of the book Management Accounting Change by Terence G. Schoone-Jongen
Cover of the book Slavery and Colonial Rule in Africa by Terence G. Schoone-Jongen
Cover of the book A Sense Of Siege by Terence G. Schoone-Jongen
Cover of the book China's Policy towards the South China Sea by Terence G. Schoone-Jongen
Cover of the book Foreign Direct Investment and Regional Development in East Central Europe and the Former Soviet Union by Terence G. Schoone-Jongen
Cover of the book Their Fair Share by Terence G. Schoone-Jongen
Cover of the book Four Phenomenological Philosophers by Terence G. Schoone-Jongen
Cover of the book Risk, Ambiguity and Decision by Terence G. Schoone-Jongen
Cover of the book Global Insights on Theatre Censorship by Terence G. Schoone-Jongen
Cover of the book The Platonic Heritage by Terence G. Schoone-Jongen
Cover of the book The Dramatic Works of Catherine the Great by Terence G. Schoone-Jongen
Cover of the book The Remix Manual by Terence G. Schoone-Jongen
Cover of the book Anwar Sadat by Terence G. Schoone-Jongen
Cover of the book Papers on Capitalism, Development and Planning by Terence G. Schoone-Jongen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy