Shakespeare and the Reason

A Study of the Tragedies and the Problem Plays

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, British
Cover of the book Shakespeare and the Reason by Terence Hawkes, Taylor and Francis
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Author: Terence Hawkes ISBN: 9781136568046
Publisher: Taylor and Francis Publication: October 11, 2013
Imprint: Routledge Language: English
Author: Terence Hawkes
ISBN: 9781136568046
Publisher: Taylor and Francis
Publication: October 11, 2013
Imprint: Routledge
Language: English

'Mr Hawkes is a good critic, oriented towards history of ideas. He operates on the formula that Shakespeare was interested in the available distinctions between discursive and intuitive reason, and disliked a growing tendency for the first to be thought of as manly and the second effeminate. One sees how this action-contemplation polarity works, in Hamlet for instance, and Mr Hawkes thinks the kind of choices forced on tragic heroes can be better understood in terms of it.' Frank Kermode, New Statesman.

In the seven plays on which the book concentrates, Terence Hawkes finds Shakespeare investigating the operation of two opposed forms of reason, and constructing dramatic metaphors such as the opposition between appearance and reality, or that between true 'manliness' and its false counterpart, which express to the full the tragic nature of the situation.

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'Mr Hawkes is a good critic, oriented towards history of ideas. He operates on the formula that Shakespeare was interested in the available distinctions between discursive and intuitive reason, and disliked a growing tendency for the first to be thought of as manly and the second effeminate. One sees how this action-contemplation polarity works, in Hamlet for instance, and Mr Hawkes thinks the kind of choices forced on tragic heroes can be better understood in terms of it.' Frank Kermode, New Statesman.

In the seven plays on which the book concentrates, Terence Hawkes finds Shakespeare investigating the operation of two opposed forms of reason, and constructing dramatic metaphors such as the opposition between appearance and reality, or that between true 'manliness' and its false counterpart, which express to the full the tragic nature of the situation.

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