The British Horseracing Film

Representations of the ‘Sport of Kings’ in British Cinema

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book The British Horseracing Film by Stephen Glynn, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stephen Glynn ISBN: 9783030051808
Publisher: Springer International Publishing Publication: January 5, 2019
Imprint: Palgrave Pivot Language: English
Author: Stephen Glynn
ISBN: 9783030051808
Publisher: Springer International Publishing
Publication: January 5, 2019
Imprint: Palgrave Pivot
Language: English

This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called “sport of kings” functions as an accessible institutional structure through which to explore cinematic discussions about the British nation—but also, and equally, national approaches to British cinema. 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called “sport of kings” functions as an accessible institutional structure through which to explore cinematic discussions about the British nation—but also, and equally, national approaches to British cinema. 

More books from Springer International Publishing

Cover of the book Meanings & Co. by Stephen Glynn
Cover of the book Local Features in Natural Images via Singularity Theory by Stephen Glynn
Cover of the book Sociocultural Perspectives on Youth Ethical Consumerism by Stephen Glynn
Cover of the book Reviews of Environmental Contamination and Toxicology Volume 233 by Stephen Glynn
Cover of the book Aggregation Functions in Theory and in Practice by Stephen Glynn
Cover of the book Relational and Algebraic Methods in Computer Science by Stephen Glynn
Cover of the book Universal Biology after Aristotle, Kant, and Hegel by Stephen Glynn
Cover of the book Coordination, Organizations, Institutions, and Norms in Agent Systems XI by Stephen Glynn
Cover of the book Delivering Aid Without Government by Stephen Glynn
Cover of the book Exclusive Use in an Inclusive Environment by Stephen Glynn
Cover of the book Electrochemistry in a Divided World by Stephen Glynn
Cover of the book Economic Ethics & the Black Church by Stephen Glynn
Cover of the book Operator Algebras and Applications by Stephen Glynn
Cover of the book New Solutions for the Space Debris Problem by Stephen Glynn
Cover of the book Intergenerational Transmission of Child Maltreatment by Stephen Glynn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy