The Poetry of Pop

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, Poetry, American, Nonfiction, Entertainment, Music
Cover of the book The Poetry of Pop by Adam Bradley, Yale University Press
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Author: Adam Bradley ISBN: 9780300165722
Publisher: Yale University Press Publication: March 28, 2017
Imprint: Yale University Press Language: English
Author: Adam Bradley
ISBN: 9780300165722
Publisher: Yale University Press
Publication: March 28, 2017
Imprint: Yale University Press
Language: English
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond.

Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond.

Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.

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