The Portrait in Fiction of the Romantic Period

Fiction & Literature, Literary Theory & Criticism
Cover of the book The Portrait in Fiction of the Romantic Period by Joe Bray, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joe Bray ISBN: 9781317019770
Publisher: Taylor and Francis Publication: May 26, 2016
Imprint: Routledge Language: English
Author: Joe Bray
ISBN: 9781317019770
Publisher: Taylor and Francis
Publication: May 26, 2016
Imprint: Routledge
Language: English

Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction, however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction, however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other.

More books from Taylor and Francis

Cover of the book Writing Put to the Test by Joe Bray
Cover of the book Chinese Myth: A Treasury of Legends, Art, and History by Joe Bray
Cover of the book Calcutta by Joe Bray
Cover of the book Removing Barriers to Learning in the Early Years by Joe Bray
Cover of the book The Mongols and the West by Joe Bray
Cover of the book Conflict And Arms Control by Joe Bray
Cover of the book The Sublime Invention by Joe Bray
Cover of the book Negotiators of Change by Joe Bray
Cover of the book New Directions in American Politics by Joe Bray
Cover of the book Violence by Joe Bray
Cover of the book Lived Experiences of Women in Academia by Joe Bray
Cover of the book Freedom and Choice in Education (RLE Edu K) by Joe Bray
Cover of the book Integrating Key Skills in Higher Education by Joe Bray
Cover of the book Managers and Mandarins in Contemporary China by Joe Bray
Cover of the book Teaching Multicultured Students by Joe Bray
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy