Victorian Spectacular Theatre 1850-1910

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Victorian Spectacular Theatre 1850-1910 by Michael R. Booth, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael R. Booth ISBN: 9781317389453
Publisher: Taylor and Francis Publication: July 24, 2015
Imprint: Routledge Language: English
Author: Michael R. Booth
ISBN: 9781317389453
Publisher: Taylor and Francis
Publication: July 24, 2015
Imprint: Routledge
Language: English

Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.

More books from Taylor and Francis

Cover of the book Transport Systems, Policy and Planning by Michael R. Booth
Cover of the book Sexual Difference by Michael R. Booth
Cover of the book The Architecture of the Illusive Distance by Michael R. Booth
Cover of the book Grammar in Early Twentieth-Century Philosophy by Michael R. Booth
Cover of the book Architectures of Hurry—Mobilities, Cities and Modernity by Michael R. Booth
Cover of the book Book Production by Michael R. Booth
Cover of the book Beyond Smart Cities by Michael R. Booth
Cover of the book Ecological Complexity and Agroecology by Michael R. Booth
Cover of the book Regionalisation of Globalised Innovation by Michael R. Booth
Cover of the book An Evidence-based Approach to Authentic Leadership Development by Michael R. Booth
Cover of the book Outstanding Differentiation for Learning in the Classroom by Michael R. Booth
Cover of the book Paganistan by Michael R. Booth
Cover of the book The Asylum as Utopia (Psychology Revivals) by Michael R. Booth
Cover of the book Vietnam's Rural Transformation by Michael R. Booth
Cover of the book Kabbalah and the Art of Being by Michael R. Booth
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy