Violence, Visual Culture, and the Black Male Body

Nonfiction, Art & Architecture, Photography, General Art, Social & Cultural Studies, Social Science
Cover of the book Violence, Visual Culture, and the Black Male Body by Cassandra Jackson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Cassandra Jackson ISBN: 9781136908170
Publisher: Taylor and Francis Publication: April 13, 2011
Imprint: Routledge Language: English
Author: Cassandra Jackson
ISBN: 9781136908170
Publisher: Taylor and Francis
Publication: April 13, 2011
Imprint: Routledge
Language: English

From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black men has privileged the viewer in service of white supremacist thought. At the same time, contemporary artists have deployed the figure to expose and disrupt this very power paradigm. Jackson suggests that the relationship between the viewer and the viewed is not so much static as fluid, and that wounds serve as intricate negotiations of power structures that cannot always be simplified into the condensed narratives of victims and victimizers. Overall, Jackson attempts to address both the ways in which the wound has been exploited to patrol and contain black masculinity, as well as the ways in which twentieth century artists have represented the wound to disrupt its oppressive implications

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black men has privileged the viewer in service of white supremacist thought. At the same time, contemporary artists have deployed the figure to expose and disrupt this very power paradigm. Jackson suggests that the relationship between the viewer and the viewed is not so much static as fluid, and that wounds serve as intricate negotiations of power structures that cannot always be simplified into the condensed narratives of victims and victimizers. Overall, Jackson attempts to address both the ways in which the wound has been exploited to patrol and contain black masculinity, as well as the ways in which twentieth century artists have represented the wound to disrupt its oppressive implications

More books from Taylor and Francis

Cover of the book Palestine and Israel in the 19th and 20th Centuries by Cassandra Jackson
Cover of the book International Simulation and Gaming Research Yearbook by Cassandra Jackson
Cover of the book Cognitive Development by Cassandra Jackson
Cover of the book Measurement and Evaluation by Cassandra Jackson
Cover of the book Marketing Communications by Cassandra Jackson
Cover of the book Leadership Coaching by Cassandra Jackson
Cover of the book Trauma and Fulfillment Therapy: A Wholist Framework by Cassandra Jackson
Cover of the book Wronging Rights? by Cassandra Jackson
Cover of the book Drama, Psychotherapy and Psychosis by Cassandra Jackson
Cover of the book Archives of the Black Atlantic by Cassandra Jackson
Cover of the book Agency and Structure (RLE Social Theory) by Cassandra Jackson
Cover of the book Religion and Development in the Asia-Pacific by Cassandra Jackson
Cover of the book Ouida and Victorian Popular Culture by Cassandra Jackson
Cover of the book The Gift and its Paradoxes by Cassandra Jackson
Cover of the book Temporary Agency Work and Globalisation by Cassandra Jackson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy