Wild Duck revisited

Fiction & Literature, Drama, Continental European, Nonfiction, Entertainment, Classics
Cover of the book Wild Duck revisited by John Fajo, John Fajo
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Fajo ISBN: 9781465809803
Publisher: John Fajo Publication: January 12, 2012
Imprint: Smashwords Edition Language: English
Author: John Fajo
ISBN: 9781465809803
Publisher: John Fajo
Publication: January 12, 2012
Imprint: Smashwords Edition
Language: English

Abstract

Ibsen’s classic Wild Duck is the epitome of Scandinavian literature with a feministic point of view. In fact, if we look at Ibsen’s other works, like a Doll’s House we see things from a woman’s perspective, in other words we only get one side of the story. This is typical of Norwegian literature.
The current work attempts to remedy this, or better put give insight into the possible feelings of a man, with all the positive and negative aspects. In Wild Duck, Hjalmar Ekdal plays the role of a dull and rather repugnant character, who can only think of selfish goals and comfort. According to society he is more or less a male chauvinist, a bad guy for rebelling against and being bothered by things that should simply be accepted or not questioned at all.
Wild Duck revisited looks at the situation from a modern point of view taking into account of the emancipation of women that had taken place over the past hundred years. The main characters are the same, the storyline loosely follows the classic, but deviates more and more as it advances. Hjalmar is the main character, we see things from his perspective, the singular third person is reserved for him. The book is divided into five parts, the structure and style develops from classical continuous to intermittent modern. The wild duck symbol is present, but some others are included as well, most notably the lion that eats grass and the Viking legend. Conversations and events not from the classical masterpiece have been adopted from real life cases.
Wild duck revisited criticises modern western society and lifestyle for being unable to fulfil the most rudimental of all human needs, the need for love. It also tries to determine how much someone’s identity can be twisted, the limits that nature (genes etc.) impose on the individual.

John Fajo, 2003

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Abstract

Ibsen’s classic Wild Duck is the epitome of Scandinavian literature with a feministic point of view. In fact, if we look at Ibsen’s other works, like a Doll’s House we see things from a woman’s perspective, in other words we only get one side of the story. This is typical of Norwegian literature.
The current work attempts to remedy this, or better put give insight into the possible feelings of a man, with all the positive and negative aspects. In Wild Duck, Hjalmar Ekdal plays the role of a dull and rather repugnant character, who can only think of selfish goals and comfort. According to society he is more or less a male chauvinist, a bad guy for rebelling against and being bothered by things that should simply be accepted or not questioned at all.
Wild Duck revisited looks at the situation from a modern point of view taking into account of the emancipation of women that had taken place over the past hundred years. The main characters are the same, the storyline loosely follows the classic, but deviates more and more as it advances. Hjalmar is the main character, we see things from his perspective, the singular third person is reserved for him. The book is divided into five parts, the structure and style develops from classical continuous to intermittent modern. The wild duck symbol is present, but some others are included as well, most notably the lion that eats grass and the Viking legend. Conversations and events not from the classical masterpiece have been adopted from real life cases.
Wild duck revisited criticises modern western society and lifestyle for being unable to fulfil the most rudimental of all human needs, the need for love. It also tries to determine how much someone’s identity can be twisted, the limits that nature (genes etc.) impose on the individual.

John Fajo, 2003

More books from Classics

Cover of the book The Ghost in the Cupboard Room by John Fajo
Cover of the book Kasidah of Haji Abdu El-Yezdi by John Fajo
Cover of the book L’Insurgé by John Fajo
Cover of the book The Vampire Maid (Golden Deer Classics) by John Fajo
Cover of the book La fausse maîtresse by John Fajo
Cover of the book Harold Edward Bindloss, Collection by John Fajo
Cover of the book Double assassinat dans la rue Morgue by John Fajo
Cover of the book Bartleby, the Scrivener by John Fajo
Cover of the book Wicked Captain Walshawe, Of Wauling by John Fajo
Cover of the book Ein Hungerkünstler by John Fajo
Cover of the book Неделание by John Fajo
Cover of the book Livro das mil e uma noites Volume 3 by John Fajo
Cover of the book England, My England by John Fajo
Cover of the book Story Girl by John Fajo
Cover of the book The Beast in the Jungle by John Fajo
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy