William Shakespeare: an analysis of Macbeth's character

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book William Shakespeare: an analysis of Macbeth's character by Alessandro De Vivo, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alessandro De Vivo ISBN: 9783638720694
Publisher: GRIN Publishing Publication: April 27, 2007
Imprint: GRIN Publishing Language: English
Author: Alessandro De Vivo
ISBN: 9783638720694
Publisher: GRIN Publishing
Publication: April 27, 2007
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2.0, University of Education Ludwigsburg, 5 entries in the bibliography, language: English, abstract: I would like to base my essay on the protagonist Macbeth. Probably composed in late 1606 or early 1607, Macbeth is the last of Shakespeare's tragedies, the others being Hamlet, King Lear and Othello. If Hamlet is the grandest of Shakespeare's plays, Macbeth is from a tragic standpoint the most sublime and the most impressive as an active play. If we just consider the plot, Macbeth is a relatively simple play. In fact like Richard III and numerous pre-Shakespearean plays, it deals with a traditional form: the rise and fall of a great man. In the first part of the play we read about Macbeth's rise to power; then he manages to become king of Scotland. From this moment on he begins with a period of tyranny that will end with Macbeth's death and the accession to the throne of the legitimate king. For this reason he can be considered as the epitome of a tragic hero. In the course of the play we notice a great development of Macbeth's character. At the beginning he is a man much honoured by his countrymen for his leading and courageous part in defence of his good king and native land. During many conflicts he showed his great courage and he continues showing this personal quality also when he becomes king and he has to take a lot of difficult decisions. But this first description about Macbeth's character is not the definitive one: in fact as soon as we meet him, we find out also his negative qualities, for example that he is both ambitious and murderous. It happens when the two Scottish generals, Macbeth and his friend Banquo, returning victorious from the great battle against a rebel army assisted by the troops of Norway, meet three witches in the middle of the road. They begin to speak to Macbeth: the first of them greets him with the title of Thane of Glaning (so it is in the reality); the second follows by giving him the title of Thane of Cawdor, to which honour he has no pretensions; the third predicts that Macbeth will be king of Scotland. Then turning to Banquo, they prophesy that his son will be king of Scotland. So they turn into the air and vanish. After a while Macbeth and his friend are stopped by some messengers of the king, who are empowered by him to confer upon Macbeth the dignity of Thane of Cawdor: an event so miraculously corresponding with the predictions of the witches astonishes Macbeth, who begins to think about the other and more important prophecy...

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2.0, University of Education Ludwigsburg, 5 entries in the bibliography, language: English, abstract: I would like to base my essay on the protagonist Macbeth. Probably composed in late 1606 or early 1607, Macbeth is the last of Shakespeare's tragedies, the others being Hamlet, King Lear and Othello. If Hamlet is the grandest of Shakespeare's plays, Macbeth is from a tragic standpoint the most sublime and the most impressive as an active play. If we just consider the plot, Macbeth is a relatively simple play. In fact like Richard III and numerous pre-Shakespearean plays, it deals with a traditional form: the rise and fall of a great man. In the first part of the play we read about Macbeth's rise to power; then he manages to become king of Scotland. From this moment on he begins with a period of tyranny that will end with Macbeth's death and the accession to the throne of the legitimate king. For this reason he can be considered as the epitome of a tragic hero. In the course of the play we notice a great development of Macbeth's character. At the beginning he is a man much honoured by his countrymen for his leading and courageous part in defence of his good king and native land. During many conflicts he showed his great courage and he continues showing this personal quality also when he becomes king and he has to take a lot of difficult decisions. But this first description about Macbeth's character is not the definitive one: in fact as soon as we meet him, we find out also his negative qualities, for example that he is both ambitious and murderous. It happens when the two Scottish generals, Macbeth and his friend Banquo, returning victorious from the great battle against a rebel army assisted by the troops of Norway, meet three witches in the middle of the road. They begin to speak to Macbeth: the first of them greets him with the title of Thane of Glaning (so it is in the reality); the second follows by giving him the title of Thane of Cawdor, to which honour he has no pretensions; the third predicts that Macbeth will be king of Scotland. Then turning to Banquo, they prophesy that his son will be king of Scotland. So they turn into the air and vanish. After a while Macbeth and his friend are stopped by some messengers of the king, who are empowered by him to confer upon Macbeth the dignity of Thane of Cawdor: an event so miraculously corresponding with the predictions of the witches astonishes Macbeth, who begins to think about the other and more important prophecy...

More books from GRIN Publishing

Cover of the book AOL-Time Warner - The end of democracy? by Alessandro De Vivo
Cover of the book Low-cost carrier industry: A focus on Germanwings strategy by Alessandro De Vivo
Cover of the book The Trend towards Corporate Voluntary Disclosures by Alessandro De Vivo
Cover of the book The concept of 'field' and 'gap' by Alessandro De Vivo
Cover of the book Applying Yield Management to the Golf-Course Industry by Alessandro De Vivo
Cover of the book German immigrants in the Chicago area by Alessandro De Vivo
Cover of the book Spanish Adaptation of the Prasad-Baron Questionnaire by Alessandro De Vivo
Cover of the book Folk Etymology as a Linguistic Phenomenon by Alessandro De Vivo
Cover of the book Instruktion zum Überleben by Alessandro De Vivo
Cover of the book Using the concepts of reliability and validity, critically examine how confident Human Resource professionals should be in using interviews as an effective selection technique by Alessandro De Vivo
Cover of the book Das anthropologische Frauenbild in Kleists Erzählung 'Das Erdbeben in Chili' by Alessandro De Vivo
Cover of the book Sir Gawain and the Green Knight - Rethinking Romance by Alessandro De Vivo
Cover of the book Love and dramatic genre - Approaches to the topic of love in three Shakespearean plays by Alessandro De Vivo
Cover of the book Cultural Clash and Cultural Due Diligence at DaimlerChrysler by Alessandro De Vivo
Cover of the book Acceptance and Success Factors for NFC-Mobile-Payment in South Korea. In comparison to Austria and Taiwan by Alessandro De Vivo
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy