Women Modernists and Fascism

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Social & Cultural Studies, Political Science
Cover of the book Women Modernists and Fascism by Annalisa Zox-Weaver, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Annalisa Zox-Weaver ISBN: 9781139179843
Publisher: Cambridge University Press Publication: September 8, 2011
Imprint: Cambridge University Press Language: English
Author: Annalisa Zox-Weaver
ISBN: 9781139179843
Publisher: Cambridge University Press
Publication: September 8, 2011
Imprint: Cambridge University Press
Language: English

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

More books from Cambridge University Press

Cover of the book Weather by Annalisa Zox-Weaver
Cover of the book The First Part of King Henry VI by Annalisa Zox-Weaver
Cover of the book Cognitive Capitalism by Annalisa Zox-Weaver
Cover of the book Kant and his German Contemporaries: Volume 2, Aesthetics, History, Politics, and Religion by Annalisa Zox-Weaver
Cover of the book Democracy Protests by Annalisa Zox-Weaver
Cover of the book The Thought of Nirad C. Chaudhuri by Annalisa Zox-Weaver
Cover of the book Modern Legal Drafting by Annalisa Zox-Weaver
Cover of the book Impoliteness by Annalisa Zox-Weaver
Cover of the book The Block Theory of Finite Group Algebras: Volume 2 by Annalisa Zox-Weaver
Cover of the book The Cambridge Introduction to Narrative by Annalisa Zox-Weaver
Cover of the book Analysis of Aircraft Structures by Annalisa Zox-Weaver
Cover of the book Neutrino Cosmology by Annalisa Zox-Weaver
Cover of the book Transatlantic Literary Studies, 1660–1830 by Annalisa Zox-Weaver
Cover of the book Virginia Woolf and the Migrations of Language by Annalisa Zox-Weaver
Cover of the book Transport in Nanostructures by Annalisa Zox-Weaver
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy