Women’s Colonial Gothic Writing, 1850-1930

Haunted Empire

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, History
Cover of the book Women’s Colonial Gothic Writing, 1850-1930 by Melissa Edmundson, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Melissa Edmundson ISBN: 9783319769172
Publisher: Springer International Publishing Publication: May 19, 2018
Imprint: Palgrave Macmillan Language: English
Author: Melissa Edmundson
ISBN: 9783319769172
Publisher: Springer International Publishing
Publication: May 19, 2018
Imprint: Palgrave Macmillan
Language: English

This book explores women writers’ involvement with the Gothic. The author sheds new light on  women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book  investigates how  women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a  woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.      

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores women writers’ involvement with the Gothic. The author sheds new light on  women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book  investigates how  women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a  woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.      

More books from Springer International Publishing

Cover of the book Homonymous Visual Field Defects by Melissa Edmundson
Cover of the book Britain’s Cold War in Cyprus and Hong Kong by Melissa Edmundson
Cover of the book The Ghost Cities of Australia by Melissa Edmundson
Cover of the book 3D Geoinformation Science by Melissa Edmundson
Cover of the book The Power of Memory and Violence in Central America by Melissa Edmundson
Cover of the book Rhetoric in Neoliberalism by Melissa Edmundson
Cover of the book Knowledge Management in Digital Change by Melissa Edmundson
Cover of the book Metal Response in Cupriavidus metallidurans by Melissa Edmundson
Cover of the book Biology of Hevea Rubber by Melissa Edmundson
Cover of the book The Tea Party, Occupy Wall Street, and the Great Recession by Melissa Edmundson
Cover of the book Computer Security – ESORICS 2017 by Melissa Edmundson
Cover of the book Social Market Economy by Melissa Edmundson
Cover of the book Damages in EU Public Procurement Law by Melissa Edmundson
Cover of the book Nail Psoriasis by Melissa Edmundson
Cover of the book Biosystems Engineering: Biofactories for Food Production in the Century XXI by Melissa Edmundson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy