European Art Cinema

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book European Art Cinema by John White, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John White ISBN: 9781317572053
Publisher: Taylor and Francis Publication: October 14, 2016
Imprint: Routledge Language: English
Author: John White
ISBN: 9781317572053
Publisher: Taylor and Francis
Publication: October 14, 2016
Imprint: Routledge
Language: English

European art cinema includes some of the most famous films in cinema history. It is elite filmmaking that stands in direct opposition to popular cinema; and yet, it also has an intimate relationship with Hollywood.

This guidebook sketches successive phases of art cinema in Europe from its early beginnings of putting Shakespeare’s plays on the screen, through movements such as Expressionism and Surrealism, to the New Waves of the 1960s and more recent incarnations like Dogme 95. Using film examples, John White examines basic critical approaches to art cinema such as semiotics and auteur theory, as well as addressing recurring themes and ideas such as existentialism and Christian belief. The different levels of political commitment and social criticism, which appear in many of these films, are also discussed.

The book includes case studies of eight representative films:

The Cabinet of Dr Caligari (Wiene, 1920)

Earth (Dovzhenko, 1930)

A Man Escaped (Bresson, 1956)

Hiroshima mon amour (Resnais, 1959)

Aguirre, Wrath of God (Herzog, 1972)

Comrades (Douglas, 1986)

Le Quattro Volte (Frammartino, 2010)

Silence (Collins, 2012).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

European art cinema includes some of the most famous films in cinema history. It is elite filmmaking that stands in direct opposition to popular cinema; and yet, it also has an intimate relationship with Hollywood.

This guidebook sketches successive phases of art cinema in Europe from its early beginnings of putting Shakespeare’s plays on the screen, through movements such as Expressionism and Surrealism, to the New Waves of the 1960s and more recent incarnations like Dogme 95. Using film examples, John White examines basic critical approaches to art cinema such as semiotics and auteur theory, as well as addressing recurring themes and ideas such as existentialism and Christian belief. The different levels of political commitment and social criticism, which appear in many of these films, are also discussed.

The book includes case studies of eight representative films:

The Cabinet of Dr Caligari (Wiene, 1920)

Earth (Dovzhenko, 1930)

A Man Escaped (Bresson, 1956)

Hiroshima mon amour (Resnais, 1959)

Aguirre, Wrath of God (Herzog, 1972)

Comrades (Douglas, 1986)

Le Quattro Volte (Frammartino, 2010)

Silence (Collins, 2012).

More books from Taylor and Francis

Cover of the book Research Methods by John White
Cover of the book Consumer Vulnerability by John White
Cover of the book CyberUnion: Empowering Labor Through Computer Technology by John White
Cover of the book Congress Online by John White
Cover of the book Reflections Of Our Past by John White
Cover of the book Muslims and Crusaders by John White
Cover of the book International Marketing by John White
Cover of the book Social and Economic Change in Eastern Ukraine by John White
Cover of the book Latin American Writers and the Rise of Hollywood Cinema by John White
Cover of the book Management Training and Development in China by John White
Cover of the book Women in the Middle East and North Africa by John White
Cover of the book A Complex Integral Realist Perspective by John White
Cover of the book Kierkegaard and Philosophy by John White
Cover of the book Disclosure and Concealment in Psychotherapy by John White
Cover of the book Migration Across Boundaries by John White
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy