Music and the Elusive Revolution

Cultural Politics and Political Culture in France, 1968–1981

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Classical, History, European General
Cover of the book Music and the Elusive Revolution by Eric Drott, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eric Drott ISBN: 9780520950085
Publisher: University of California Press Publication: July 2, 2011
Imprint: University of California Press Language: English
Author: Eric Drott
ISBN: 9780520950085
Publisher: University of California Press
Publication: July 2, 2011
Imprint: University of California Press
Language: English

In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May ’68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May ’68 on a wide variety of music in France, from the initial shock of 1968 through the "long" 1970s and the election of Mitterrand and the socialists in 1981. Drott’s detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In May 1968, France teetered on the brink of revolution as a series of student protests spiraled into the largest general strike the country has ever known. In the forty years since, May ’68 has come to occupy a singular place in the modern political imagination, not just in France but across the world. Eric Drott examines the social, political, and cultural effects of May ’68 on a wide variety of music in France, from the initial shock of 1968 through the "long" 1970s and the election of Mitterrand and the socialists in 1981. Drott’s detailed account of how diverse music communities developed in response to 1968 and his pathbreaking reflections on the nature and significance of musical genre come together to provide insights into the relationships that link music, identity, and politics.

More books from University of California Press

Cover of the book The New World History by Eric Drott
Cover of the book North American Amphibians by Eric Drott
Cover of the book Lorine Niedecker by Eric Drott
Cover of the book Fruits of the Cross by Eric Drott
Cover of the book Heroes of Empire by Eric Drott
Cover of the book Beyond Expectations by Eric Drott
Cover of the book Recreating Japanese Men by Eric Drott
Cover of the book Serpentine by Eric Drott
Cover of the book Railtown by Eric Drott
Cover of the book Precocious Charms by Eric Drott
Cover of the book Regression Models for Categorical, Count, and Related Variables by Eric Drott
Cover of the book Soccer Empire by Eric Drott
Cover of the book Pedagogy for Religion by Eric Drott
Cover of the book Beyond Chutzpah by Eric Drott
Cover of the book Wide-Open Town by Eric Drott
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy