Other Voices: Hidden Histories of Liverpool's Popular Music Scenes, 1930s-1970s

Nonfiction, Entertainment, Music
Cover of the book Other Voices: Hidden Histories of Liverpool's Popular Music Scenes, 1930s-1970s by Michael Brocken, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Brocken ISBN: 9781317084877
Publisher: Taylor and Francis Publication: May 23, 2016
Imprint: Routledge Language: English
Author: Michael Brocken
ISBN: 9781317084877
Publisher: Taylor and Francis
Publication: May 23, 2016
Imprint: Routledge
Language: English

At times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. There certainly exists a popular music (or perhaps 'rock') origin myth concerning this group and the city of Liverpool and this draws in devotees, as if on a pilgrimage, to Liverpool itself. Once 'within' the city, local businesses exist primarily to escort these pilgrims around several almost iconic spaces and places associated with the group. At times it all almost seems 'spiritual'. One might argue however that, like any function myth, the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travellers willing to listen to a somewhat linear, exclusive narrative. Other Voices therefore exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool. By doing so, Brocken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence o

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

At times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. There certainly exists a popular music (or perhaps 'rock') origin myth concerning this group and the city of Liverpool and this draws in devotees, as if on a pilgrimage, to Liverpool itself. Once 'within' the city, local businesses exist primarily to escort these pilgrims around several almost iconic spaces and places associated with the group. At times it all almost seems 'spiritual'. One might argue however that, like any function myth, the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travellers willing to listen to a somewhat linear, exclusive narrative. Other Voices therefore exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool. By doing so, Brocken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence o

More books from Taylor and Francis

Cover of the book Inside Consumption by Michael Brocken
Cover of the book Building Excellence by Michael Brocken
Cover of the book Enriching Esol Pedagogy by Michael Brocken
Cover of the book Camera & Craft: Learning the Technical Art of Digital Photography by Michael Brocken
Cover of the book Marketing in the 21st Century: Concepts, Challenges and Imperatives by Michael Brocken
Cover of the book Modernization, Nation-Building, and Television History by Michael Brocken
Cover of the book The After Effects Illusionist by Michael Brocken
Cover of the book The Experience of Nothingness by Michael Brocken
Cover of the book The Seven Wonders of the Ancient World by Michael Brocken
Cover of the book Reading Science by Michael Brocken
Cover of the book Professionalism in Early Childhood Education and Care by Michael Brocken
Cover of the book Developing Economic and Industrial Understanding in the Curriculum (1994) by Michael Brocken
Cover of the book The Wilson–Johnson Correspondence, 1964–69 by Michael Brocken
Cover of the book The Abe Administration and the Rise of the Prime Ministerial Executive by Michael Brocken
Cover of the book Capital, Exploitation and Economic Crisis by Michael Brocken
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy