Poetry and Poetics after Wallace Stevens

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, American
Cover of the book Poetry and Poetics after Wallace Stevens by , Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781501313493
Publisher: Bloomsbury Publishing Publication: November 17, 2016
Imprint: Bloomsbury Academic Language: English
Author:
ISBN: 9781501313493
Publisher: Bloomsbury Publishing
Publication: November 17, 2016
Imprint: Bloomsbury Academic
Language: English

As the figure of Wallace Stevens (1879-1955) becomes so entrenched in the Modernist canon that he serves as a major reference point for poets and critics alike, the time has come to investigate poetry and poetics after him. The ambiguity of the preposition is intentional: while after may refer neutrally to chronological sequence, it also implies ways of aesthetically modeling poetry on a predecessor. Likewise, the general heading of poetry and poetics allows the sixteen contributors to this volume to range far and wide in terms of poetics (from postwar formalists to poets associated with various strands of Postmodernism, Language poetry, even Confessional poetry), ethnic identities (with a diverse selection of poets of color), nationalities (including the Irish Nobel Laureate Seamus Heaney and several English poets), or language (sidestepping into French and Czech poetry).

Besides offering a rich harvest of concrete case studies, Poetry and Poetics after Wallace Stevens also reconsiders possibilities for talking about poetic influence. How can we define and refine the ways in which we establish links between earlier and later poems? At what level of abstraction do such links exist? What have we learned from debates about competing poetic eras and traditions? How is our understanding of an older writer reshaped by engaging with later ones? And what are we perhaps not paying attention to-aesthetically, but also politically, historically, thematically-when we relate contemporary poetry to someone as idiosyncratic as Stevens?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

As the figure of Wallace Stevens (1879-1955) becomes so entrenched in the Modernist canon that he serves as a major reference point for poets and critics alike, the time has come to investigate poetry and poetics after him. The ambiguity of the preposition is intentional: while after may refer neutrally to chronological sequence, it also implies ways of aesthetically modeling poetry on a predecessor. Likewise, the general heading of poetry and poetics allows the sixteen contributors to this volume to range far and wide in terms of poetics (from postwar formalists to poets associated with various strands of Postmodernism, Language poetry, even Confessional poetry), ethnic identities (with a diverse selection of poets of color), nationalities (including the Irish Nobel Laureate Seamus Heaney and several English poets), or language (sidestepping into French and Czech poetry).

Besides offering a rich harvest of concrete case studies, Poetry and Poetics after Wallace Stevens also reconsiders possibilities for talking about poetic influence. How can we define and refine the ways in which we establish links between earlier and later poems? At what level of abstraction do such links exist? What have we learned from debates about competing poetic eras and traditions? How is our understanding of an older writer reshaped by engaging with later ones? And what are we perhaps not paying attention to-aesthetically, but also politically, historically, thematically-when we relate contemporary poetry to someone as idiosyncratic as Stevens?

More books from Bloomsbury Publishing

Cover of the book Brand Vandals by
Cover of the book Conflict and Contest in Nietzsche's Philosophy by
Cover of the book Soviet Submachine Guns of World War II by
Cover of the book Yoga for Cyclists by
Cover of the book Dark Energy by
Cover of the book Toward a Philosophical Theory of Everything by
Cover of the book The Legal Protection of Foreign Investment by
Cover of the book Nailed by the Heart by
Cover of the book My Bloody Valentine's Loveless by
Cover of the book Hannah Arendt and Theology by
Cover of the book Fashioning Models by
Cover of the book The Replacements' Let It Be by
Cover of the book High Notes by
Cover of the book The Ironic Filmmaking of Stephen Frears by
Cover of the book Undetectable by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy