The Power of Theater

Actors and Spectators in Ancient Rome

Nonfiction, Entertainment, Theatre, Performing Arts, Art & Architecture, General Art
Cover of the book The Power of Theater by Miroslaw Kocur, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Miroslaw Kocur ISBN: 9783631709573
Publisher: Peter Lang Publication: November 23, 2018
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Miroslaw Kocur
ISBN: 9783631709573
Publisher: Peter Lang
Publication: November 23, 2018
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

This book examines performative practices of the ancient Romans, and provides fresh insights into the contexts of the Roman theater. Today the ancient theater is associated more with Greece than with Rome. However, the Romans went to the theater more often than the Athenians. In fact, the entire Eternal City was a vast stage for numerous performances not just by politicians, leaders, orators, and emperors, but also by common citizens. The author suggests that we look at Rome as a theater, one in which everybody, depending on circumstances, could be a performer. This book reconstructs the art of the Roman spectacle, and – based on detailed analyses of rich and varied source materials – extensively discusses the behavior of audiences and the little-known practices of actors, such as the performers of Atellan farces, pantomimes, and mimes. The reader also gains an insight into the most recent research on the Roman theater.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book examines performative practices of the ancient Romans, and provides fresh insights into the contexts of the Roman theater. Today the ancient theater is associated more with Greece than with Rome. However, the Romans went to the theater more often than the Athenians. In fact, the entire Eternal City was a vast stage for numerous performances not just by politicians, leaders, orators, and emperors, but also by common citizens. The author suggests that we look at Rome as a theater, one in which everybody, depending on circumstances, could be a performer. This book reconstructs the art of the Roman spectacle, and – based on detailed analyses of rich and varied source materials – extensively discusses the behavior of audiences and the little-known practices of actors, such as the performers of Atellan farces, pantomimes, and mimes. The reader also gains an insight into the most recent research on the Roman theater.

More books from Peter Lang

Cover of the book A Literary History of the Fourteenth Century by Miroslaw Kocur
Cover of the book El exilio en la poesía de Tomás Segovia y Angelina Muñiz Huberman by Miroslaw Kocur
Cover of the book English suffixes by Miroslaw Kocur
Cover of the book Akten des XIII. Internationalen Germanistenkongresses Shanghai 2015: Germanistik zwischen Tradition und Innovation by Miroslaw Kocur
Cover of the book Dumb Beasts in Hallowed Tombs by Miroslaw Kocur
Cover of the book Hannah Arendt and Friedrich Schiller on Kants Aesthetics by Miroslaw Kocur
Cover of the book Sicherheit, Risiko und Opferschutz by Miroslaw Kocur
Cover of the book Rethinking Identities by Miroslaw Kocur
Cover of the book The Spanish of the Northern Peruvian Andes by Miroslaw Kocur
Cover of the book Mehrsprachigkeit als Chance by Miroslaw Kocur
Cover of the book Romanian Joyce by Miroslaw Kocur
Cover of the book Der verfassungsrechtliche Schutz der Betriebs- und Geschaeftsgeheimnisse by Miroslaw Kocur
Cover of the book Regulierungsbedarf grenzueberschreitender Betriebsuebergaenge by Miroslaw Kocur
Cover of the book The Poetics of Decadence in Fin-de-Siècle Italy by Miroslaw Kocur
Cover of the book Traversée by Miroslaw Kocur
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy