The role of theming in the event creation process

Business & Finance, Management & Leadership, Management
Cover of the book The role of theming in the event creation process by Nico Schulenkorf, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nico Schulenkorf ISBN: 9783638034562
Publisher: GRIN Verlag Publication: April 10, 2008
Imprint: GRIN Verlag Language: English
Author: Nico Schulenkorf
ISBN: 9783638034562
Publisher: GRIN Verlag
Publication: April 10, 2008
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2005 in the subject Business economics - Business Management, Corporate Governance, grade: High Distinction, University of Technology, Sydney (School of Leisure, Sport and Tourism), course: Event Creation Workshop, 19 entries in the bibliography, language: English, abstract: Staging an event means bringing together all the elements of a theatrical production for its presentation on stage - be it a once-off event or a recurring festivity. As the theme is the decisive factor to distinguish specific events from each other, event organisers have to focus on 'theming and design' as the central part of the event creation process. In order to produce successful special events, managers are supposed to combine creative ideas, past experiences and analytical research into a strategic management planning process (Johnson, 2005). Focusing on the target audience, the theme and congruent design support the individual processes, which determine the quality of the event experience and its overall emotional impact (Allen and Harris, 2002). This essay will highlight the role of theming as the critical success factor for events. In sections two and three, the place, role and importance of emotional 'theming and design' in the development process of an event will be discussed. Section four gives an overview of the sources of theming in event management. The variety of event themes and ideas are analysed in section five, where special attention is given to sporting events. This part further explains how event suppliers for 'theming and design' can be identified and managed accurately. The outcomes of this discussion are then applied to a practical example. Following the analysis of theming in event marketing, this essay, in the final section, reaches a conclusion based on theoretical and practical evidence. When creating an event, organisers need to concentrate and emphasise on the first two phases of the event management process (cf. figure 1). During the research and design stages, the framework of the event is established, which can be referred to during the later stages of the management process. Successful event creation therefore builds a solid basis for future actions (Allen and Harris, 2002). Theming is the central element of the strategic implementation process for any event. Once a decision has been reached on the overall concept, it should be developed into a theme that shapes and unifies all aspects of the event. The theme will determine the overall look, style, colours, sounds and atmosphere which are crucial for a unique event experience (Allen and Harris, 2002).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject Business economics - Business Management, Corporate Governance, grade: High Distinction, University of Technology, Sydney (School of Leisure, Sport and Tourism), course: Event Creation Workshop, 19 entries in the bibliography, language: English, abstract: Staging an event means bringing together all the elements of a theatrical production for its presentation on stage - be it a once-off event or a recurring festivity. As the theme is the decisive factor to distinguish specific events from each other, event organisers have to focus on 'theming and design' as the central part of the event creation process. In order to produce successful special events, managers are supposed to combine creative ideas, past experiences and analytical research into a strategic management planning process (Johnson, 2005). Focusing on the target audience, the theme and congruent design support the individual processes, which determine the quality of the event experience and its overall emotional impact (Allen and Harris, 2002). This essay will highlight the role of theming as the critical success factor for events. In sections two and three, the place, role and importance of emotional 'theming and design' in the development process of an event will be discussed. Section four gives an overview of the sources of theming in event management. The variety of event themes and ideas are analysed in section five, where special attention is given to sporting events. This part further explains how event suppliers for 'theming and design' can be identified and managed accurately. The outcomes of this discussion are then applied to a practical example. Following the analysis of theming in event marketing, this essay, in the final section, reaches a conclusion based on theoretical and practical evidence. When creating an event, organisers need to concentrate and emphasise on the first two phases of the event management process (cf. figure 1). During the research and design stages, the framework of the event is established, which can be referred to during the later stages of the management process. Successful event creation therefore builds a solid basis for future actions (Allen and Harris, 2002). Theming is the central element of the strategic implementation process for any event. Once a decision has been reached on the overall concept, it should be developed into a theme that shapes and unifies all aspects of the event. The theme will determine the overall look, style, colours, sounds and atmosphere which are crucial for a unique event experience (Allen and Harris, 2002).

More books from GRIN Verlag

Cover of the book Zum Zusammenhang zwischen moralischem Urteil und Verhalten by Nico Schulenkorf
Cover of the book Quintland. The Canadian Dionne Quintuplets During the Great Depression by Nico Schulenkorf
Cover of the book Vom Phonograph zum CD-Player. Eine geschichtliche Aufbereitung für den Unterricht der ASO oder Integrationsklasse. by Nico Schulenkorf
Cover of the book Humboldt - Forscher und Sammler in der Neuen Welt by Nico Schulenkorf
Cover of the book Die Bedeutung von Mezzanine-Finanzierung für KMU in Abgrenzung zu vergleichbaren Finanzierungsformen by Nico Schulenkorf
Cover of the book Exekutiv Multilateralismus - Multilateralismus - Inklusive Institutionen by Nico Schulenkorf
Cover of the book Liturgische Bildung im Internet by Nico Schulenkorf
Cover of the book Führung in Gruppen by Nico Schulenkorf
Cover of the book Datenbanken und Informationssysteme by Nico Schulenkorf
Cover of the book Das Leben ist schön von Roberto Benigni als Beispiel der Medialisierung des Holocaust im Bereich der Komödie by Nico Schulenkorf
Cover of the book Sexualberatung by Nico Schulenkorf
Cover of the book Vergleich zwischen den sächsischen Lehrplänen der Altenpflege und Heilerziehungspflege in Bezug auf die pflegerische Handlungskompetenz by Nico Schulenkorf
Cover of the book Die Bedeutung der wendischen Hansestädte zur Zeit der Kölner Konföderation by Nico Schulenkorf
Cover of the book Der Begriff Praxis - eine Einführung by Nico Schulenkorf
Cover of the book Der Verbraucherdarlehensvertrag by Nico Schulenkorf
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy