Towards Theorization of Postcolonial Literature in the Global Culture of the Integrated Spectacle

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Towards Theorization of Postcolonial Literature in the Global Culture of the Integrated Spectacle by Pablo Markin, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pablo Markin ISBN: 9783640243662
Publisher: GRIN Publishing Publication: January 14, 2009
Imprint: GRIN Publishing Language: English
Author: Pablo Markin
ISBN: 9783640243662
Publisher: GRIN Publishing
Publication: January 14, 2009
Imprint: GRIN Publishing
Language: English

Research Paper (undergraduate) from the year 2006 in the subject English Language and Literature Studies - Literature, grade: Pass, The University of Alberta, Edmonton, Alberta, Canada, course: Comprehensive Doctoral Examination, 21 entries in the bibliography, language: English, abstract: In an attempt 'to construct what John Hinkson calls a 'social theory of postmodernity' that is adequately global (Hinkson 1990)' (Appadurai 1996), I propose to bring the theorization of postcolonial literature to bear on the treatise on The Society of the Spectacle by Guy Debord (1994). To forge the connection between two such disparate texts I take recourse to Arjun Appadurai's book Modernity at Large: Cultural Dimensions of Globalization (1996) that in important respects touches both on literature as cultural practice and on the global moment in which Debord's society of integrated spectacle is situated. Debord's notion of the society of integrated spectacle defines the specificity of the global moment of modernity where 'the interlinked diasporas of people and images' (Appadurai 1996) play increasingly decisive role. The postcolonial literature that is intricately connected to multiple landscapes of flow explores their effect upon 'the work of the imagination' (Appadurai 1996) as collective social fact. Equally constitutive of the '[d]iasporic public spheres, diverse among themselves' (Appadurai 1996), these flow-scapes produce in the global culture of the society of the spectacle multiple arenas 'for conscious choice, justification, and representation' (Appadurai 1996).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Research Paper (undergraduate) from the year 2006 in the subject English Language and Literature Studies - Literature, grade: Pass, The University of Alberta, Edmonton, Alberta, Canada, course: Comprehensive Doctoral Examination, 21 entries in the bibliography, language: English, abstract: In an attempt 'to construct what John Hinkson calls a 'social theory of postmodernity' that is adequately global (Hinkson 1990)' (Appadurai 1996), I propose to bring the theorization of postcolonial literature to bear on the treatise on The Society of the Spectacle by Guy Debord (1994). To forge the connection between two such disparate texts I take recourse to Arjun Appadurai's book Modernity at Large: Cultural Dimensions of Globalization (1996) that in important respects touches both on literature as cultural practice and on the global moment in which Debord's society of integrated spectacle is situated. Debord's notion of the society of integrated spectacle defines the specificity of the global moment of modernity where 'the interlinked diasporas of people and images' (Appadurai 1996) play increasingly decisive role. The postcolonial literature that is intricately connected to multiple landscapes of flow explores their effect upon 'the work of the imagination' (Appadurai 1996) as collective social fact. Equally constitutive of the '[d]iasporic public spheres, diverse among themselves' (Appadurai 1996), these flow-scapes produce in the global culture of the society of the spectacle multiple arenas 'for conscious choice, justification, and representation' (Appadurai 1996).

More books from GRIN Publishing

Cover of the book The function of drugs in Eugene O'Neill's 'Long Day's Journey into Night' and Tennessee Williams' 'A Streetcar Named Desire' by Pablo Markin
Cover of the book The development and change of the phoneme /w/ in Canadian English by Pablo Markin
Cover of the book Historical connections between St. Petersburg/Russia and Europe/Germany by Pablo Markin
Cover of the book Assessment of Waste Management Strategies in Nigerian Universities by Pablo Markin
Cover of the book Entwicklung von Methodenkompetenz 'Arbeit mit der Karte' im Geografieunterricht in Klasse 9 by Pablo Markin
Cover of the book Policy Paper on Iran's Nuclear Program by Pablo Markin
Cover of the book Learning EFL by Bengali speaking learners: Major linguistic problems and possible solutions by Pablo Markin
Cover of the book Change Management according to a CRM implementation by Pablo Markin
Cover of the book Jean Paul Sartre, Albert Camus and Frantz Fanon on the topic of decolonization and the French occupation of Algeria. by Pablo Markin
Cover of the book The impact of hackers on the internet commerce by Pablo Markin
Cover of the book Making Sense of the Holocaust by Means of Backward Narration by Pablo Markin
Cover of the book The Freirean Approach to Adult literacy Education by Pablo Markin
Cover of the book The Multifaceted Outcomes of Time Pressure on Creativity by Pablo Markin
Cover of the book Case Study: Faith Community Hospital by Pablo Markin
Cover of the book Christian discipleship vs. Hitler's dictatorship. Commemorating Dietrich Bonhoeffer, man of God under the Third Reich by Pablo Markin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy