Art, Language and Figure in Merleau-Ponty

Excursions in Hyper-Dialectic

Nonfiction, Religion & Spirituality, Philosophy, Phenomenology, Aesthetics
Cover of the book Art, Language and Figure in Merleau-Ponty by Professor Rajiv Kaushik, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Professor Rajiv Kaushik ISBN: 9781441142214
Publisher: Bloomsbury Publishing Publication: September 12, 2013
Imprint: Bloomsbury Academic Language: English
Author: Professor Rajiv Kaushik
ISBN: 9781441142214
Publisher: Bloomsbury Publishing
Publication: September 12, 2013
Imprint: Bloomsbury Academic
Language: English

Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic considers Merleau-Ponty's later ontology of language in the light of his "figured philosophy,†? which places the work of art at the centre of its investigation. Kaushik argues that, since for Merleau-Ponty the work of art actualizes a sensible ontology that would otherwise be invisible to the history of dialectics, it undermines the fundamental difference between being and linguistic structures.

Art, Language and Figure in Merleau-Ponty takes up the radical task of the figured philosophy to render sensible and linguistic spaces prior to the thought of their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic system, as well as a more general repudiation of the act of inscribing in favour of an abstracted textual meaning, in this context. Following the artists most important to Merleau-Ponty's own writings on art, such as Paul Klee and his fascination with hieroglyphics, and extending these analyses to more recent 21st Century artists such as Cy Twombly, Kaushik takes an excursion into the places where art and language, image and text, drawing and writing, figure and discourse, are interlaced in Merleau-Ponty's last ontology. In view of these intersections, Kaushik ultimately argues, the work of art gives us the spaces where the possibilities of philosophy, both past and future, reside. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty's philosophy and scholars of aesthetics.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Art, Language and Figure in Merleau-Ponty: Excursions in Hyper-Dialectic considers Merleau-Ponty's later ontology of language in the light of his "figured philosophy,†? which places the work of art at the centre of its investigation. Kaushik argues that, since for Merleau-Ponty the work of art actualizes a sensible ontology that would otherwise be invisible to the history of dialectics, it undermines the fundamental difference between being and linguistic structures.

Art, Language and Figure in Merleau-Ponty takes up the radical task of the figured philosophy to render sensible and linguistic spaces prior to the thought of their separation. Kaushik situates Merleau-Ponty's criticisms of Saussure's linguistic system, as well as a more general repudiation of the act of inscribing in favour of an abstracted textual meaning, in this context. Following the artists most important to Merleau-Ponty's own writings on art, such as Paul Klee and his fascination with hieroglyphics, and extending these analyses to more recent 21st Century artists such as Cy Twombly, Kaushik takes an excursion into the places where art and language, image and text, drawing and writing, figure and discourse, are interlaced in Merleau-Ponty's last ontology. In view of these intersections, Kaushik ultimately argues, the work of art gives us the spaces where the possibilities of philosophy, both past and future, reside. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty's philosophy and scholars of aesthetics.

More books from Bloomsbury Publishing

Cover of the book Literature of the Early Twentieth Century: From the Constitutional Period to Reza Shah by Professor Rajiv Kaushik
Cover of the book Multi-Sourced Equivalent Norms in International Law by Professor Rajiv Kaushik
Cover of the book Reeds Introductions: Essential Sensing and Telecommunications for Marine Engineering Applications by Professor Rajiv Kaushik
Cover of the book Kierkegaard's 'Fear and Trembling' by Professor Rajiv Kaushik
Cover of the book One Wild Song by Professor Rajiv Kaushik
Cover of the book The Royal Air Force by Professor Rajiv Kaushik
Cover of the book The Advanced Cyclist's Training Manual by Professor Rajiv Kaushik
Cover of the book Cathedrals of the Flesh by Professor Rajiv Kaushik
Cover of the book Cleopatra's Needles by Professor Rajiv Kaushik
Cover of the book Present Tense by Professor Rajiv Kaushik
Cover of the book The Complete Guide to Boxing Fitness by Professor Rajiv Kaushik
Cover of the book Designing for Service by Professor Rajiv Kaushik
Cover of the book Bug Hunts by Professor Rajiv Kaushik
Cover of the book TSR2 by Professor Rajiv Kaushik
Cover of the book How to Believe by Professor Rajiv Kaushik
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy